Jay & Miles X-Plain the X-Men

Tag: X-Men

104 – The Noodle Incident (feat. Brett White and Dennis Hopeless)

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Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.

In which Brett White joins us for a look at the current state of the X-line; Dennis Hopeless helps shed some light on a persistent mystery; Brett has a lot of feelings about the Dark Riders; All-New Wolverine is our everything; All-New X-Men is the new New Mutants; X-Men ’92 is the prize at the bottom of the continuity cereal box; we speculate on potential fatalities in the upcoming Death of X; and everything is probably going to be more or less okay.

X-PLAINED:

  • Why everyone is mad at Cyclops
  • The Noodle Incident
  • How we variously define X-titles
  • The current state of the X-line
  • The 8-Month Gap
  • Secret Wars
  • Earth 616.1
  • Extraordinary X-Men (Current series)
  • Uncanny X-Men (Current series)
  • All-New Wolverine
  • Old Man Logan (Current series)
  • All-New X-Men (Current series)
  • X-Men: Worst X-Man Ever
  • X-Men ’92 (Current series)
  • The Dark Riders
  • Being personally invested in characters you don’t own
  • Favorite formats
  • The mystic end of the X-Men cinematic universe
  • Mysteries and mysteries

NEXT WEEK: Continuity Has Its Eyes on You: Live from ECCC with Kris Anka, Al Ewing, Scott Koblish, and G. Willow Wilson!

EDITED: NOODLE INCIDENT SUBMISSIONS ARE NOW CLOSED. We’ll be announcing the winners sometime between 4/18 and 4/22. Thank you to everyone who participated!!!

You can find a visual companion to this episode on our blog!

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Jay and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!

Buy prints of this week’s illustration at our shop, or contact David Wynne for the original!

 

As Mentioned in Episode 99 – Those Who Walk Away from Genosha

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Listen to the episode here.

Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
The whole arc summed up in a single image. (Uncanny X-Men #235)
Hawkshaw’s actual mutant power is talking in old-timey detective slang. (Uncanny X-Men #235)
“Y’know, when I’m not running a massive underground IT complex and consorting with demons.” (Uncanny X-Men #235)
Unlike the Genoshans, the X-Men actually arrive with extra clothes when they teleport. (Uncanny X-Men #235)
“Yes, and…” (Uncanny X-Men #235)
NAKED FIGHT! Take a drink, and follow it with a beer back. (Uncanny X-Men #236)
The stark normalcy of (human) life on Genosha is played for pretty spectacular contrast to horror’s it’s built upon. (Uncanny X-Men #236)
“Here in Genosha, we’re more into D.C.” (Uncanny X-Men #236)
BUTTERFLY MUSTACHE! (Uncanny X-Men #236)
Meet N’astirh: the most polite demon. Kinda. For now. (Uncanny X-Men #236)
We’d all like to think we’ve got a little Carol Danvers in us, but it’s rarely quite this literal. (Uncanny X-Men #236)
THAT OUTFIT. (Uncanny X-Men #236)
The best thing about being a supervillain is that people respect it when you don’t feel like multitasking. (Uncanny X-Men #236)
Damn, Genegineer. (Uncanny X-Men #237)
Don’t fuck with Madelyne Pryor. (Uncanny X-Men #237)
Or Wolverine, for that matter. (Uncanny X-Men #237)
OH SHIT (Uncanny X-Men #238)
He’s a homophone! Get it? ‘Cause Sinister is a Jeangineer! (Uncanny X-Men #238)
“Fuck foreshadowing. I’m turning on the damn SPOTLIGHT.” (Uncanny X-Men #238)
Genosha is actually kind of a metaphor–just not for what you first think. (Uncanny X-Men #238)
NEXT EPISODE: Chris Claremont.

LINKS & FURTHER READING:

99 – Those Who Walk Away from Genosha

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Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.

In which the podcast gets a new name; Jay starts (another) imaginary band; mutant issues break away from the metaphor; Genosha’s leading industry is cognitive dissonance; invisibility to electronic surveillance is not always a plus; Rogue and Wolverine are the X-Men most likely to find themselves nude in a fight; Carol Danvers is awesome even when disembodied; and we both have a lot of feelings about Mad Max: Fury Road.

X-PLAINED:

  • The Havok dilemma
  • Our new name
  • Uncanny X-Men #235-238
  • Genosha
  • Jenny Ransome
  • The Press Gang
  • A really good bit of vintage slang
  • The downside of electronic invisibility
  • Naked teleportation
  • The Genegineer (David Moreau)
  • Philip Moreau
  • Mutates
  • The (sort of) return of (sort of) Carol Danvers
  • The portmanteaus of Genosha
  • Moral binary in superhero comics
  • Possible antecedents of Sterling Archer
  • The only good reason to bring Logan back
  • N’astirh
  • Several versions of Madelyne Pryor
  • “Gone to America”
  • Off-page baby theft
  • How to have fun re-reading

InfernoWatch:

  • This week, it’s all about Madelyne Pryor: her first contact with N’astirh and escalating romance with Havok; the first hints of her connection to Mister Sinister; her oblique connection to the Phoenix Force; and her first foray into baby theft!

NEXT EPISODE: Chris Claremont

CORRECTION: In this episode, Miles mentioned Those Who Walk Away From Omelas as having been written by Margaret Atwood. It was, of course, actually written by Ursula K. LeGuin. Miles blames the Jaspers Warp for this mistake.

You can find a visual companion to this episode–and links to recommended reading–on our blog!

Find us on iTunes or Stitcher!

Jay and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!

Buy prints of this week’s illustration at our shop, or contact David Wynne for the original!

As Mentioned in Episode 91 – The Saddest Story Ever Told

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Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
The vaguely slapstick motifs in this story somehow make it even sadder. (New Mutants #64)
And it really only gets more depressing from here. (New Mutants #64)
No, seriously. (New Mutants #64)
Everything is terrible forever. (New Mutants #64)
=( (New Mutants #64)
Yeah, we do not have a sassy caption for this. Sorry. (New Mutants #64)
Aw, man. These kids. (New Mutants #64)
AND NOW FOR SOMETHING COMPLETELY DIFFERENT! (Tattoo Tales: X-Men: Masquerade)
Harder than fighting Sentinels, apparently. (Tattoo Tales: X-Men: Masquerade)
“It’s four hours of me, a vacuum cleaner, and a theremin.” (Tattoo Tales: X-Men: Masquerade)
The X-Men take costume parties REALLY DAMN SERIOUSLY. (Tattoo Tales: X-Men: Masquerade)
“Also, that is literally one of the only two non-uniform outfits you own.” (Tattoo Tales: X-Men: Masquerade)
How not to lay out a page for coherent reading order. (Tattoo Tales: X-Men: Masquerade)
SO THEN THAT HAPPENED. (Tattoo Tales: X-Men: Masquerade)
And they all lived happily ever after. THE END! (But Doug Ramsey was still dead.) (Tattoo Tales: X-Men: Masquerade)

91 – The Saddest Story Ever Told

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Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.

 

In which New Mutants #64 is the saddest single issue of any X-book ever; the New Mutants have to grow up fast; Warlock comes to terms with mortality; The Last of Us is harder to play the second time; Tattoo Tales: X-Men: Masquerade is delightfully unhinged; animated Cyclops is totally the worst; Beast probably has a terrible garage band; Jean starts a kitchen fire; and Wolverine saves Jubilee’s birthday.

 

X-PLAINED:

  • The saddest issue ever
  • New Mutants #64
  • The only okay way to watch Grave of the Fireflies
  • The aftermath of Doug Ramsey’s death
  • Several unhealthy coping mechanisms
  • The Last of Us
  • Tattoo Tales: X-Men: Masquerade
  • Some varyingly impressive costumes
  • General irresponsibility
  • Why Wolverine is wearing a clown suit
  • Douglock
  • The New Mutants’ D&D alignments

NEXT WEEK: You never forget your first Ship.

You can find a visual companion to this episode on our blog!

Find us on iTunes or Stitcher!

Rachel and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!

Buy prints of this week’s illustration at our shop, or contact David Wynne for the original!

As Mentioned in Episode 90 – Ghosts of the Outback

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Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
Dazzler is pretty fundamentally confused about the idea of “hiding out.” (Uncanny X-Men #228)
O.Z. Chase: Bounty Hunter, Not a Werewolf. (Uncanny X-Men #228)
WOLVERINE. DON’T FEED DOGS CIGARS. WHY WOULD YOU EVEN DO THAT. YOU ARE THE WORST. (Uncanny X-Men #228)
Oh, hey, it’s the Walter Peck of the Marvel Universe. (Uncanny X-Men #228)
Good times, good times. (Uncanny X-Men #228)
The Reavers. No, not those reavers. The other Reavers. One of them’s a tank. Centank. Tanktaur. (Uncanny X-Men #229)
That tattoo, man. (Uncanny X-Men #229)
Hi, Gateway! (Uncanny X-Men #229)
Do these guys know how to party, or what? (Uncanny X-Men #229)
“Look, we didn’t really think the whole horde thing through.” (Uncanny X-Men #229)
“Also, you’ll start spelling ‘tiger’ with a Y.” (Uncanny X-Men #229)
Those sound effects! (Uncanny X-Men #229)
Chekhov’s mystic portal. (Uncanny X-Men #229)
Really not feeling that costume, Storm. (Uncanny X-Men #230)
SPOILER: This will not end well. (Uncanny X-Men #230)
Question: Based on his powers, is it SUPER AWKWARD for Longshot to use the toilet? (Uncanny X-Men #230)
Alex. You’re the Summers brother who can see colors. There is no excuse for this. (Uncanny X-Men #230)
Elf Dazzler meshes weirdly well with the whole “Baby Boomer Santa” thing from Community. (Uncanny X-Men #230)
Aw. (Uncanny X-Men #230)
Rick Leonardi is so good, y’all. (Uncanny X-Men #231)
Good hat, though. (Uncanny X-Men #231)
Hot, and also hot. (Uncanny X-Men #231)
CAN WE PLEASE TALK ABOUT WHAT STORM IS WEARING? (Uncanny X-Men #231)
Leonardi draws the best Darkchylde by a pretty wide margin. (Uncanny X-Men #231)
How awesome would it be if the Xavier Institute always looked like this? SO AWESOME. (Uncanny X-Men #231)
Aw, man. Right in the feels. (Uncanny X-Men #231)
NEXT WEEK: The saddest story ever.

LINKS & FURTHER READING

90 – Ghosts of the Outback

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Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.

 

In which the X-Men move to Australia; O.Z. Chase is definitely not a werewolf; Dazzler is a smart, glittery laser cookie; Gateway falls into some uncomfortable tropes; Havok remains the king of terrible hats; Madelyne Pryor hacks the planet; Rogue makes a friend; Rick Leonardi draws the definitive Magik; Colossus’ secondary mutation is allegory; and there are a lot of great places to donate your old backissues.

X-PLAINED:

  • Gateway’s probable origin
  • Wintry mix
  • Miles’s definitive X-era
  • Uncanny X-Men #228-231
  • O.Z. Chase
  • Vladimir Zaitzev
  • The Reavers (No, not those Reavers)
  • Bonebreaker
  • Skullcrusher
  • Pretty Boy
  • Children
  • Jessan Hoan (Tyger Tiger)
  • Gateway
  • Teamwork (more) (again)
  • The Siege Perilous
  • Cooterman’s Creek
  • Jay’s favorite mythic figure (and long-term career goal)
  • The best brother in the Marvel Universe
  • A really sad team-up
  • Favorite X-science moments
  • Where to donate comic books

NEXT WEEK: The saddest story ever

You can find a visual companion to this episode on our blog!

Find us on iTunes or Stitcher!

Rachel and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!

Buy prints of this week’s illustration at our shop, or contact David Wynne for the original!

As Mentioned in Episode 86 – Legends

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Listen to the episode here.

Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
Fall of the Mutants promotional ad.
Piotr Rasputin’s run as penciller on Uncanny X-Men was brief but critically lauded. (Uncanny X-Men #225)
Featuring what we assume to be the disgruntled letterhacks of 1987. (Uncanny X-Men #225)
If I had a dollar for every time a stranger had given me an uncannily precise palm reading and then a tiny chess piece of myself… (Uncanny X-Men #225)
The players and the board. (Uncanny X-Men #225)
SFX as panel borders? Yes, please. (Uncanny X-Men #225)
It’s worth noting that at this point, the Spiral / Ricochet Rita retcon had yet to be conceived. (Uncanny X-Men #225)
Destiny wrestles with the awareness that she’s trapped in a crossover event. (Uncanny X-Men #225)
A moment of slapstick in the midst of the high-stakes drama. (Uncanny X-Men #225)
Repping the fourth estate, Neal Conan and Manoli Wetherell. (Uncanny X-Men #226)
It’s cool. It’s not a real knife. (Uncanny X-Men #226)
You’re a good dude, Colossus. (Uncanny X-Men #226)
She comes back a year later, and Forge has cannibalized his bionic parts to make a sweet Freddie Mercury costume. (Uncanny X-Men #226)
Those halcyon days when Havok’s impromptu diatribes didn’t suck. (Uncanny X-Men #226)
That’s one hell of a kiss. (Uncanny X-Men #226)
That cover. (Uncanny X-Men #227)
What. (Uncanny X-Men #227)
Well, that was unexpectedly graphic. (Uncanny X-Men #227)
“I mean, c’mon, dude. We’re in a superhero comic. You really think this is gonna last?” (Uncanny X-Men #227)
Somewhere in the multiverse, the X-Men were like, “Fuck it. Let’s just go to Disneyland.” (Uncanny X-Men #227)
Say what you will about Claremont, but he is damn good at epic ending beats. (Uncanny X-Men #227)
NEXT WEEK: It’s always darkest…

86 – Legends (Fall of the Mutants, Part 1 of 3)

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Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.

In which we begin our 3-part coverage of Fall of the Mutants; Roma is very good at her job; strange things are afoot in Dallas; Mystique’s parenting skills are somewhat lopsided; Neal Conan is awesome; Havok gets a soapbox; Storm and Forge flirt with godhood; Rogue’s costume exists in a state of quantum uncertainty; Colossus is the organic steel wrench in the gears of chaos; and the X-Men die for real (but get better).

 

X-PLAINED:

  • Crossovers vs. events
  • The Fall of the Mutants
  • Uncanny X-Men #225-227
  • A really great marketing campaign
  • The Adversary (again)
  • Roma
  • The Starlight Citadel
  • Retcons as applied pareidolia
  • A metaphor that is also a real chess piece
  • A sort-of stabbing
  • Neal Conan & Manoli Wetherell
  • Literally hard-hitting journalism
  • A whole new world
  • Another variation on the Rogue’s-costume drinking game
  • A really improbable plan
  • The death and resurrection of the X-Men
  • Mutant metabolisms

NEXT WEEK: It’s Always Darkest…

You can find a visual companion to this episode on our blog!

Find us on iTunes or Stitcher!

Rachel and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!

Buy prints of this week’s illustration at our shop, or contact David Wynne for the original!

As Mentioned in Episode 83 – Live at Vegas Valley Comic Book Festival

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Listen to the episode here.

Art by David Wynne. Prints and cards available until 11/22/2015 at the shop, or contact David to purchase the original.
It is reasonably appropriate to judge this book by its cover. (X-Men Annual #3)
Spot the references. (X-Men Annual #3)
ARKON THE MAGNIFICENT! (X-Men Annual #3)
I guess when your job is cleaning up after Tony Stark, the existential hellscape of Funky Winkerbean starts to feel like a vacation. (X-Men Annual #3)
DON’T TOUCH THE HAIR! (X-Men Annual #3)
You’d think the Danger Room would have ANY KIND OF REMOTELY FUNCTIONAL SAFETY PROTOCOLS BY NOW, but no. (X-Men Annual #3)
The art makes a really, really good counterpoint to the conversation in these panels. (X-Men Annual #3)
Cyclops encouraging other characters to talk about their feelings: NEVER NOT FUNNY. (X-Men Annual #3)
Don’t forget to watch TV, kids! You never know when it’ll come in handy! (X-Men Annual #3)
The best thing about this panel is Wolverine’s understated “Geez.” (X-Men Annual #3)
“I mean, look, there’s a really good chance we’re just going to straight-up explode.” (X-Men Annual #3)
Starman #4 is about a Hawaiian shirt that is a gateway to heaven. In related news, you should all go read Starman RIGHT NOW, because it is WONDERFUL.
If you’re not hearing Queen in your head right now, I don’t really understand you. (X-Men Annual #3)
Things that are not awesome about this fight panel: NONE OF THEM. (X-Men Annual #3)
SHE’LL SAVE EVERY ONE OF US! (X-Men Annual #3)
“Oh, y’know, just stole a dragon from some flying commandos. No big deal.” (X-Men Annual #3)
This planet sucks. (X-Men Annual #3)
Wolverine, that’s not… y’know what? Never mind. (X-Men Annual #3)
I’m pretty sure that no writer will ever reference this again. (X-Men Annual #3)
“Well, that, or the colorist forgot to make it red, which also happens sometimes.” (X-Men Annual #3)
Somewhere in the multiverse, there’s a universe where the X-Men went, “Fuck it. Let’s just go be space barbarians.” (X-Men Annual #3)
NEXT WEEK: This jerk.

LINKS & FURTHER READING: