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Tag: teenagers
293 – The Monster Under the World
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In which not all Mondos are created equal; the kids are only rarely all right; the Age of Apocalypse is not Magneto’s fault; Sugar Man is the stuff of universal nightmares; “cartoonish” is not necessarily a plus; and the Age of Apocalypse is not particularly sustainable.
X-PLAINED:
- Generation Next #1-4
- The tradition of YA horror in X-books
- Bachalo unchained
- Whose fault the Age of Apocalypse is
- Adaptive technology vs. Apocalypse
- Chamber of Earth-295
- Husk of Earth-295
- Skin of Earth-295
- Mondo of Earth-295
- Vincente Cimetta
- Know-It-All (Claudia)
- An abysmal training exercise
- Colossus of Earth-295
- Shadowcat of Earth-295
- Gardner Monroe (Flashback)
- Quietus
- Sugar Man
- The Portland and/or Seattle Core
- Illyana Rasputin
- Ace
- Human collaborators
- A gratuitous Monty Python reference
- The difference between mass and volume
- Number Six
- The fall of Generation Next
- Growing up in the Age of Apocalypse
- Illyana 2.0
- Subtext vs. queerbaiting
NEXT EPISODE: X-Calibre!
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As Mentioned in Episode 177 – The Less You Know
Listen to the podcast here.
FURTHER READING:
- We don’t know for sure that The Uncanny X-Men at the State Fair of Texas was heavily influenced by Peter Shaffer’s Equus; but we also don’t know that it wasn’t.
177 – The Less You Know
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In which we discuss several Very Special Issues; the real cautionary tale is not to trust Hank McCoy; horses are vehicles of lies and heartbreak; the X-Men shill for a state fair; whatever you’re doing, Cyclops is here to stop you; smoking is a gateway to some really weird vices; and we want YOU to design the latest X-Men PSA!
X-PLAINED:
- The alternate-timeline terrible choices of Hank McCoy
- Our wholly unfounded theories about Spongebob Squarepants
- Be X-Tra Safe With Blockbuster KidPrint and the X-Men
- VHS tapes
- Blockbuster KidPrint
- Mariano Nicieza
- Some Fundamental Problems With Superhero PSAs
- A man who may or may not be D-Man
- Terrence
- Why Cable should deliver more PSAs
- Why D.A.R.E. doesn’t work
- Varying coherent cautionary tales
- The Uncanny X-Men at the State Fair of Texas
- A tragic lack of carnies
- Danny the centaur and his very intense feelings about horses
- Several exciting attractions at the State Fair of Texas
- Big Tex
- Activities
- Smokescreen
- Bret Jackson
- Some of the lesser-known danger of smoking
- Whether Danny Rand can turn into a centaur
- Hanging out and other gateways to delinquency
- The South Side Social Club
- Jake
- Etiquette of following teenagers around
- A villainous plan so ineffective that it’s actually kind of sad
- X-Men you should hire for your PSAs
- Our thoughts on the Disney/Fox merger
- Where to find Bloodstorm
- Baby Jumping
NEXT EPISODE: Giant-Size Winter Special!
LISTENER CHALLENGE: Send your X-Men PSAs to [email protected] with the subject PSA by December 27!
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Find us on iTunes or Stitcher!
Jay and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
We’re in the process of migrating our official shop to TeePublic! Click over to check it out! (You can still find the designs we haven’t moved yet at Redbubble.)
Jay Recaps X-Men: Evolution
S1E8: SpykeCam
Oh, Evolution Season One. You try so hard. And sometimes you hit your mark: sometimes it’s “Turn of the Rogue.”
And then, sometimes, it’s “SpykeCam.”
Here’s the thing about Spyke: he’s a character born of good intentions and just stunningly thin execution. He’s got a lot of potential, but the actual episodes that focus on him–which are fairly few and far between–and his eventual, deeply dubious fate are almost universally weak. I want to like this dude, and sometimes I really do–but often, it’s in spite of, not because of, the stories built around him.
Ah, well. We’ll always have Dracula: The Rock Musical.
As Mentioned in Episode 87 – It’s Always Darkest…
87 – It’s Always Darkest… (Fall of the Mutants, Part 2 of 3)
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In which the New Mutants learn that they are not, in fact, immortal; Louise Simonson finds her stride; the Ani-Mator makes Cameron Hodge look downright reasonable; hating humans is Magneto’s security blanket; Doug Ramsey dies; and we continue our coverage of the Fall of the Mutants.
X-PLAINED:
- Sugar Man
- New Mutants #59-61
- Bird Brain
- The Ani-Mator
- The Ani-Mates
- Stylistic whiplash
- Why you always leave a note
- The death of Doug Ramsey
- Black Condor’s amazing origin story
- Interpersonal dynamics in New Mutants
- Parsing ongoing series
- Why Doug died
- 616 characters we’d trade for their Battleworld counterparts
- Storytelling trends and the decline of though balloons
NEXT WEEK: …Just Before Dawn
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Rachel and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
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As Mentioned in Episode 81 – The Kids Are All Right, with Dennis Hopeless
Listen to the episode here.
LINKS & FURTHER READING
- Dennis Hopeless is delightful. Go follow him on Twitter.
- We are seriously never gonna stop preaching the gospel of X-Men: Season One.
- Actually, all of Dennis’s X-books are great. Here are some of our particular favorites:
- X-Men: Season One (Yes, twice in one list. It’s that good.)
- Inferno
- Cable & X-Force
- You can preorder All-New X-Men #1 at your local comics shop or from Marvel.com.
- Come see us at Vegas Valley Comic Book Fest–and be part of our second live episode–on Saturday, November 7, at Clark County Library!
81 – The Kids Are All Right, with Dennis Hopeless
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In which we sit down with one of our favorite writers to talk about his upcoming series; the X-teens take to the road; Season One is kind of Friday Night Lights; good relationships make good stories; and we are really excited for All-New X-Men.
X-PLAINED:
- Genesis (Evan Sabahnur)
- Dennis Hopeless
- Secret origins of X-Men: Season One
- All-New X-Men, vol. 2
- How to write Jean Grey
- Building a team
- Why Quentin Quire isn’t in All-New X-Men
- All-New in the larger X-line, and the X-line in the larger Marvel Universe
- Definitive X-eras
- Cable & X-Force
- What makes Cable tick
- Boom Boom
- Colossus and Domino
- The narrative case for solid relationships
- Favorite villains
- Mark Bagley
- Character evolution across multiple creative teams
- X-teen hobbies
- Vegas Valley Comic Book Fest
NEXT WEEK: The New Mutants meet Bird Boy, with mixed results.
There’s no visual companion this week, but you can find a list of links mentioned in this episode on our blog!
Find us on iTunes or Stitcher!
Rachel and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
Buy prints of this week’s illustration at our shop, or contact David Wynne for the original!
Rachel Recaps X-Men: Evolution
S1E1: Strategy X
I was a little too old to catch X-Men: Evolution the first time around. It debuted my freshman year of college, corresponding with the peak of my nerd pretension—that larval-geek phase where you insist on calling all comics graphic novels—and like the arch little fucker I was, I dismissed it sight-unseen as X-Men dumbed down.
A few years ago, I finally sat down and watched my way through X-Men: Evolution and came away with two conclusions: teenage Rachel was kind of a dolt; and X-Men: Evolution is delightful.
Not only is Evolution not X-Men dumbed down, it’s a really clever, appealing reinvention. In fact, Evolution accomplishes what the Ultimate universe never quite could: shaking off years of continuity and attracting an entirely new audience with a distilled version of one of Marvel’s most convoluted lines.
If you’re not familiar with X-Men: Evolution, the premise is roughly thus: The Xavier Institute is an extracurricular boarding school of sorts, whose students are mainstreamed into their district school—Bayville High—for academics. Some of the characters—Storm, Wolverine, and Professor Xavier on the side of the angels; Mystique, Magneto, and a few others on the other end of the moral spectrum—stay adults; everyone else is aged down to teenagers. Evolution draws characters and some story hooks from the comics, but for the most part, it occupies its own discrete continuity.
And as continuities go, it’s a good one. It’s clever and fun, it’s got a ton of heart, and it stays true to the core themes and characters of the source material without becoming overly beholden to the letter of the text. By the end, it’ll become a really, really good show; but even when it’s bad, X-Men: Evolution is bad in really entertaining ways.
Which is important, because X-Men: Evolution gets off to a pretty rocky start.