Evolution Rogue is awesome. She’s one of the characters who fares best in reimagining–as I wrote about Cyclops in S1E1, Rogue is very recognizably written in the spirit of some of the best previous versions of the character, with the letter flexible enough to let her develop organically in her new context and setting.
So it should be no surprise when I tell you that a lot of the best stuff in the generally pretty shaky and uneven Season One centers around Rogue. And that, my friends, begins here. Lace up your best New Rocks, dig up some black lipstick (or steal your friend’s eyeliner crayon and be careful not to lick your lips), and get ready to rumble.
You know how I said that X-Men: Evolution is really entertaining even when it’s really, really bad? This week, we’re gonna put that to the test. Prepare for more rock puns than you have ever heard in a single 22-minute stretch. Also, Transformers. Kinda.
In other news, I still have no idea what the titles refer to.
BUT FIRST, A PRETEND HORROR MOVIE!
We open with the Pryde home, in a fictional town in Illinois. The town has a name, but I don’t care what it is, and it’s never going to be relevant again, so I’m just gonna call it Fake Deerfield. Cool? Cool.
OH, MY GOD, IT’S GRATUITOUS LIGHTNING!
Kitty dreams that she’s falling, and–spoiler–she actually falls through her bed and floor and lands in the basement. She wakes up screaming, and her parents rush down to comfort her. They think she was sleepwalking–until they look up and a PORTENTOUS FLASH OF LIGHTNING illuminates her blanket, embedded in the basement ceiling.
OH MY GOD! THAT’S–actually, wait, that’s not scary at all.
Okay, look, I get what they were shooting for here, but you know who has the least horror-movie powers of just about all the X-Men? Hint: It’s definitely Kitty, barring the stories where phased becomes her default state (which this isn’t). Framing this scene and the Prydes’ cheerfully generic suburban house like a horror movie reminds me of one of those recut trailers where you try to make a movie look like a genre it obviously isn’t; or a kid telling a shaggy-dog joke and then waiting for you to be overjoyed at the lack of punchline; or the entire movie White Noise.1 It’s all buildup, with no proportionate payoff.
Ew, Cerebro, no. Don’t do that.
Meanwhile, back at Stately Xavier Manor, Kitty’s late-night spill pings Cerebro. Does anyone else find it unsettling that Professor X has a psychic supercomputer that provides him with turnaroundfull body scans of teenagers?
Also, Cerebro accurately predicts the outfit that Kitty is going to wear to school the next day.2
“What am I?” wails Kitty. “What’s happening to me?” Just give it five seconds, kid–the credits montage identifies you quite clearly as Shadowcat.
I was a little too old to catch X-Men: Evolution the first time around. It debuted my freshman year of college, corresponding with the peak of my nerd pretension—that larval-geek phase where you insist on calling all comics graphic novels—and like the arch little fucker I was, I dismissed it sight-unseen as X-Men dumbed down.
A few years ago, I finally sat down and watched my way through X-Men: Evolution and came away with two conclusions: teenage Rachel was kind of a dolt; and X-Men: Evolution is delightful.
Not only is Evolution not X-Men dumbed down, it’s a really clever, appealing reinvention. In fact, Evolution accomplishes what the Ultimate universe never quite could: shaking off years of continuity and attracting an entirely new audience with a distilled version of one of Marvel’s most convoluted lines.
If you’re not familiar with X-Men: Evolution, the premise is roughly thus: The Xavier Institute is an extracurricular boarding school of sorts, whose students are mainstreamed into their district school—Bayville High—for academics. Some of the characters—Storm, Wolverine, and Professor Xavier on the side of the angels; Mystique, Magneto, and a few others on the other end of the moral spectrum—stay adults; everyone else is aged down to teenagers. Evolution draws characters and some story hooks from the comics, but for the most part, it occupies its own discrete continuity.
And as continuities go, it’s a good one. It’s clever and fun, it’s got a ton of heart, and it stays true to the core themes and characters of the source material without becoming overly beholden to the letter of the text. By the end, it’ll become a really, really good show; but even when it’s bad, X-Men: Evolution is bad in really entertaining ways.
Which is important, because X-Men: Evolution gets off to a pretty rocky start.
You can get prints of David Wynne’s “Back to the Future Past” art here, or contact David for the original!
This guy.
We searched for the source for this for like an hour, with no luck. Wherever it comes from, we would very much like to send it back. (Update: It’s from X-Factor #69, with art by Whilce Portacio. Thank you, Breadcrumb!)
Rogue, no! He’s not worth it! He’s not even a Super Doctor Astronaut! (Uncanny X-Men #182)
Rogue’s schtick was–very briefly–throwing silver dollars. It did not last. (Uncanny X-Men #182)
Ooh, moral awakening! (Uncanny X-Men #182)
Aw, Kitty. Also, ace tandem use of speech and thought balloons. (Uncanny X-Men #183)
Remember when artists used to draw Wolverine at the proper height? (Uncanny X-Men #183)
SUNDAY PUNCH. Juggernaut, you delightful scamp. (Uncanny X-Men #183)
Wolverine is full of valuable life lessons, a remarkable number of which involve massive real-estate damage. (Uncanny X-Men #183)
Forge’s sweet, sweet pad. (Uncanny X-Men #184)
LOOK AT THIS DELIGHTFUL GENTLEMAN AND HIS DELIGHTFUL SHORTS (Uncanny X-Men #184)
Fun fact: Wolverine and the X-Men Forge is an unsettlingly accurate Miles doppelgänger.
He’s a nice dude. Too bad he’s SUPER DOOMED. (Uncanny X-Men #184)
Pro tip: the better Storm’s haircut, the better the general state of the timeline. (Uncanny X-Men #184)
Rachel Summers: THE SADDEST TIME TRAVELER. (Uncanny X-Men #185)
And that’s why you always leave a note. (Uncanny X-Men #185)
And now, Barry Windsor Smith! (Uncanny X-Men #186)
God, that opening. (Uncanny X-Men #186)
Storm does not need superpowers to be more badass than you. (Uncanny X-Men #186)
Straight talk. (Uncanny X-Men #186)
In a lot of ways, Storm’s arc over the last twenty or so issues has equipped her with the tools to get through this. (Uncanny X-Men #186)
Straight talk, part two. Love that “Lifedeath” is veyr much a love story that very much doesn’t resolve as such. (Uncanny X-Men #186)
Let’s take a moment to consider the logistics of this kick, shake our heads, and weep quietly. (Uncanny X-Men #187)
SHADOW PTEROSAURS (Uncanny X-Men #187)
Yukio callback! (Uncanny X-Men #187)
The best part is that he dressed up as a pilot, like that will somehow make this less conspicuous. (Uncanny X-Men #187)
Colossus: Terrible boyfriend, pretty great brother. (Uncanny X-Men #187)
As it happens, Magneto’s asteroid got knocked out of orbit by THE BEST SPACE-ROBOT TEENAGER EVER, but we’ll get to that next episode. (Uncanny X-Men #187)
Seriously. Saddest time traveler. (Uncanny X-Men #187)
Next episode: Where we’re going, we don’t need roads.
In which there is a whole, whole lot going on; we continue to have no use for Michael Rossi; Wolverine should be an advice columnist; Forge makes bold fashion choices; the health of a timeline is directly tied to the awesomeness of Storm’s hair; and the X-Men get their first dark-future refugee.
X-Plained:
Dire Wraiths
ROM
Tailoring
Uncanny X-Men #182-188
Just how much story can be shoehorned into seven issues
A dubious Silent Hill metaphor
The people in Rogue’s head
Inexorable momentum
Several profoundly uncomfortable conversations
Parallel narrative in comics
Being friends with Wolverine
Casual enmity
Forge
Miles’s X-doppelganger
Tiny shorts
Chekhov’s Raygun
Rachel Summers (again)
Timeline disambiguation
Rachel disambiguation
“Lifedeath: A Love Story”
Feelings
Storm, powers, and identity
X-Men Mad-Libs
Hound marks
X-Men: The End
Next Week: THE DEMON BEAR SAGA!
You can find a visual companion to the episode – as well as links to recommended reading and the winners of the stealth / plainclothes cosplay contest – on our blog.
This ridiculous motherfucker who is now THREE PEOPLE. What the hell, Fantomex?
This isn’t Cyclops’s worst vacation. Hell, it’s not even his worst honeymoon. (X-Men #176)
Wolverine and Mariko: dealing with relationship issues like grown-ups. We choose to believe that wearing a mask that looks like your hair is a prerogative of adulthood. (X-Men #176)
You’d REALLY THINK Scott would know what an octopus looks like by now, but I guess he was blindfolded for a lot of his time in Octopusheim. (X-Men #176)
Scott! The sea’s a lovely lady when you play in her. But if you play with her, she’s a BITCH! Play in the sea, yes, but never play with her. You’re lucky to be here! You’re lucky to be ALIVE! (X-Men #176, with sincere apologies to the late, great Spalding Gray. Seriously, go watch Swimming to Cambodia. And Monster in a Box. And Gray’s Anatomy. Now.)
Yeah, good luck with that, Sparky. (X-Men #176)
Val Cooper: Definitely the sister of Special Agent Dale Cooper.
The early ’80s: A more innocent time, when all a hero needed was coke and epic shoulder pads, and you could kill Wolverine by slitting his throat. (X-Men #177)
Why is Alex dressed like an elf? (X-Men #177)
As diversions go, that’s a pretty impressively orchestrated one. Go, Brotherhood! (X-Men #177)
CYCLOPS WHAT THE HELL IS EVEN WRONG WITN YOU (X-Men #178)
“Get the asprin, Rogue. I feel a crossover event coming on.” (X-Men #178)
Awyeah. (X-Men #178)
Why is Kitty wearing an unbranded Fantastic 4 costume? Who the hell knows? Do we even need a reason, at this point? (X-Men #178)
99% sure Cyndi Lauper wrote a song about this. (X-Men #179)
This is innocuous in context, until you realize he’s sniffing a dead teenager in a morgue. (X-Men #179)
Aw, Leech. (X-Men #179)
LOOK AT THIS FUCKING WIZARD LOOK AT HIS HAT LOOK AT HOW HE CLEARLY BELONGS ON THE SET OF FLASH GORDON (X-Men #179)
Professor Xavier engages in a rare moment of being absolutely delightful. (X-Men #178)
I like to imagine that Kitty and Doug’s side adventures are the subject of a mid-’80s feature film starring Jenny Lewis. (X-Men #180)
Sky closure is the best closure. (X-Men #180)
Literally the only worthwhile panel in all twelve issues of Secret Wars. (Secret Wars #1)
“I’ll see she’s raised as if she were my own. HOPE SHE LIKES BEING DROWNED IN PUDDLES.” (X-Men #181)
Oh. That guy. Again. (X-Men #181)
This Erica Henderson drawing of Warlock and Cypher doing Troy and Abed in the Morning may be the single nerdiest thing Rachel owns, and that’s saying something.
In which Cyclops is the worst at vacations, Mystique is your favorite MurderMom™, Havok is eternally ABD, Kitty Pryde does science, Callisto doesn’t give a damn about her bad reputation, Xavier has a Troy Barnes moment, Miles may be the only person with fond memories of Secret Wars, and Rachel finally gets to make Spalding Gray references.
X-Plained:
Fantomex
Uncanny X-Men #176-181
Reset issues
Scott Summers’s second-worst honeymoon
Cephalopod disambiguation
Project Wideawake (more) (again)
Valerie Cooper
Foreshadowing
Public displays of affection
Leech
How X-Men age
A sewer wizard
Doug Ramsey
Secret Wars
Japan
Mystique’s kids
Douglock
Mystique’s powers
The other X-Men Forever
Next Week: The New Mutants gets weird!
You can find a visual companion to the episode – and links to recommended reading – on our blog.
Corsair does a lot of X-Plaining this issue. (Uncanny X-Men #154)
In Cyclops’s defense, he did, in fact, have the worst childhood ever. (Uncanny X-Men #155)
This is basically how the Shi’ar say Hello. (Uncanny X-Men #155)
Never change, Kitty Pryde. (Uncanny X-Men #155)
The lady in the fuchsia coat is hardcore judging you, Corsair. (Uncanny X-Men #155)
The Brood’s arsenal includes a super rad op-art ray. (Uncanny X-Men #155)
‘Kay, then. (Uncanny X-Men #155)
Wolveine is hella into fighting with the Brood, which is good, because he’s gonna be doing a lot of that a couple arcs from now. (Uncanny X-Men #155)
Spoiler: He’s gonna be okay. (Uncanny X-Men #155)
REMEMBER THESE BADASSES? They’re back. And we love them. (Uncanny X-Men #156)
We weren’t kidding when we said Phil and Roy were the new Harvey and Janet. (Uncanny X-Men #156)
THE STARJAMMERS ARE SO RAD THAT WE CAN ONLY TALK ABOUT THEM IN ALL CAPS. (Uncanny X-Men #156)
Hepzibah demonstrates the proper way to interrupt a dramatic moment. P.S. REMEMBER WHEN WE SAID THE STARJAMMERS ARE FUCKING DELIGHTFUL? THE STARJAMMERS ARE FUCKING DELIGHTFUL, YOU GUYS. (Uncanny X-Men #156)
The Brood are dicks, man. (Uncanny X-Men #156)
It’s okay. He’ll be back. (Uncanny X-Men #157)
Yeah, we’re not sure what’s going on in that first outfit, either. (Uncanny X-Men #157)
Uncanny X-Men #157, in which Kitty Pryde saves the world with costumes. Like, seriously.
And then, for no apparent reason, she changes into a Peter Pan outfit. You do you, Kitty. You do you. (Uncanny X-Men #157)
Meanwhile, in Avengers Annual #10, it’s raining Marvels.
Fun fact: Jessica Drew is long-time buds with the X-Men. (Avengers Annual #10)
REMEMBER HOW THAT HAPPENED AND NONE OF THE AVENGERS SAW ANY PROBLEM WITH IT? (Avengers Annual #10)
You know the runs that gymnasts do as the lead-up to really spectacular tumbling passes? This is Chris Claremont’s equivalent, only instead of doing a bunch of flips, he is going to call out some of the most bullshit writing of the previous year. (Avengers Annual #10)
STANDING. FUCKING. OVATION. That said, it’s pretty depressing that this came out in 1981 and still reads as a lot more progressive than the handling of sexual violence in a lot of current comics. (Avengers Annual #10)
The return of Dr. Peter Corbeau. (Uncanny X-Men #158)
I WONDER IF THIS WILL BECOME RELEVANT LATER. (Uncanny X-Men #158)
Senator Kelly: Still a jerk. (Uncanny X-Men #158)
“Hey, Alex, you know how all you wanted was a normal life? Yeah, I just dropped by to tell you our dad’s been alive for the last twenty years. And he’s a space pirate. And your hat looks stupid.” (Uncanny X-Men #158)
Object lesson: Everyone is Mystique. Everyone is always Mystique. (Uncanny X-Men #158)
Can we talk for a sec about Rogue’s superlative villainface game? (Uncanny X-Men #158)
In which we make our Comics Alliance debut, Cyclops makes a startling discovery, Carol Danvers joins the team (sort of), Chris Claremont calls out some bullshit, Havok still has terrible taste in hats, and Peter Corbeau gets his own theme music
Content note: In this episode, we spend a lot of time talking about a rape that occurs in a previous Avengers arc, the community and narrative response thereto, and the larger landscape and ethics of portrayals of sexual violence in superhero comics.
X-Plained
Mystique’s mercurial alliances
Rachel and Miles X-Plain the X-Men
Uncanny X-Men #154-158
Avengers Annual #10
Bollywood Starjammers
The dread Psi-Scream
Shi’ar Fashion Technology
Dr. Peter Corbeau (more) (again)
Rogue
Carol Danvers
The Whole Marcus Thing
Chris Claremont vs. rape culture
Computers
Gender politics of the Dark Phoenix Saga
Next week: Dracula!
Clarification, since we neglected to specify in the episode: Avengers #200 was written by James Shooter, George Pérez, Bob Layton, and David Michelinie; Avengers Annual #10 was written by Chris Claremont.
You can find a visual companion to the episode – and links to recommended reading – on our blog.
