All of those facial expressions are great. (X-Men #4)
Ewwwww. (X-Men #4)
File this one under “references that haven’t aged all that coherently.” (X-Men #4)
She yelled so hard it changed the shape of the panels! (X-Men #4)
These jerks and their delightful wardrobe! (X-Men #4)
Why is he allowed to live there, again? (X-Men #4)
That is… an outfit. (X-Men #4)
You can almost hear the inchoate yelling. (X-Men #5)
Cerebro is officially ridiculous. I mean, more ridiculous than usual. (X-Men #5)
Psylocke, just admit that you were sunbathing. No one will judge you. (X-Men #5)
More Fenris fashions. (X-Men #5)
“We worked really hard to reconcile the continuity between these two titles, and we wanted to make damn sure that you appreciated the effort.” (X-Men #5)
Cyclops was right. (X-Men #5)
That’s actually a really cool way to transition into a flashback. (X-Men #5)
“In addition to a Mutant Death Factor, I come with my own exposition!” (X-Men #6)
Someone’s crossed the X-axis! (X-Men #6)
He’s also got a dark pink tie in some panels. (X-Men #6)
SERIOUSLY WHAT ARE THOSE THINGS HE’S STUCK IN (X-Men #7)
Psylocke is the master of the deadpan plot twist. (X-Men #7)
If you don’t automatically hear this line delivered by Christian Kane as Eliot Spencer, I don’t know what to tell you. (X-Men #7)
Maverick. (X-Men #7)
It’s rough to be Alison Blaire. (X-Men #5)
I unironically love this trio of dramatic poses; and also the fact that I absolutely believe that these characters would pose dramatically before fights. (X-Men #6)
Aw. (X-Men #6)
NEXT EPISODE: Larry Stroman somehow manages to make the MLF look cool. (Also, there’s a Hulk crossover.)
I’m fairly sure I’ve linked to “Class of ’64” before, but it’s one of the best-developed reimaginings of the X-Men I’ve found, in or out of canon.
Unfortunately, R. Orion Martin’s “X-Men of Color” series no longer appears to be online, but you can learn more about it here and here. (Also worth reading: Darryl Ayo’s rebuttal to Martin’s article.)
In which Miles is almost caught up on The Gifted (but still hasn’t seen The Prisoner and should be very ashamed of himself); Omega Red is a cool action figure but a boring character; Professor Xavier definitely knows what you did last night; Fenris remains delightfully trashy; Weapon X had an improbably high survival rate; Sabretooth cleans up pretty well; we need to work some new rules for dividing up character voices; the Mojoverse has terrible employee benefits; and mongoose blood will definitely not give you superpowers.
X-PLAINED:
Refugees from the Age of Apocalypse
Creative use of teleportation
X-Modifiers
Jay & Miles at Emerald City Comic Con
X-Men vol. 2 #4-7
The sitcom model of creative logistics
One way to bring someone back to life
Mutant Death Factor
Omega Red (Arkady Gregorivich)
Wolverine’s school pictures
Gambit’s ponytail and the logistics thereof
Sex at the X-Mansion
Fenris fashion
Ritualistic facepalming
Moira MacTaggert’s nightmares
Formalwear and motorcycle safety
An elegantly choreographed cockblock
Retracting tentacle logistics
Carbonadium synthesizers
Dr. Pepper Twizzlers
Ponytails as moral compasses
Sabretooth’s excellent taste in formalwear
Ornithology
Those big, weird tube handcuff things
Cyclops and Wolverine’s eventual friendship
The return of Longshot
What would happen if you gave a human a transfusion of mongoose blood
Some X-Cellent fanfiction
X-details we’d change
NEXT EPISODE: X-Factor Meets the Hulk!
Special thanks to consulting X-Pert and Actual Scientist Dr. Lauriel Earley!
Check out the visual companion to this episode on our blog!
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The first full reveal of the Demon Bear. (New Mutants #18)
Gradually, across the Demon Bear Saga, the strangeness bleeds out from the panels and into the design elements. The corner square of New Mutants #18 was a Bob McLeod team portrait. This is the corner square from New Mutants #19.
The same thing is happening on the credits pages–in this case, the title, but just wait ’til you get to next issue… (New Mutants #19)
Tom Corsi and Sharon Friedlander are both charming and in serious trouble. (New Mutants #19)
Those sound effects. Those colors. That layout. (New Mutants #19)
The Demon Bear is less a creature than a space: looming, protean, with very little detail save for its eyes, teeth, and claws. (New Mutants #19)
Illyana’s soul armor makes its first appearance. (New Mutants #19)
And then that happened. (New Mutants #19)
The cover of New Mutants #20. We have no idea what’s going on in the corner square.
It’s worth remembering, as you flip through these, that you’re watching the definition and scope of superhero comics change and stretch. We are–literally and figuratively–off the map. (New Mutants #20)
Map detail. (New Mutants #20)
Later in the same issue. (New Mutants #20)
And finally. (New Mutants #20)
Sienkiewicz’s art gets a lot of attention, but Glynis Wein’s colors are absolutely critical to what the Demon Bear Saga accomplishes visually. (New Mutants #20)
Illyana’s soul armor spreads. (New Mutants #20)
Corsi and Friedlander, in their demon forms. (New Mutants #20)
The Demon Bear breaks down. (New Mutants #20)
Whoa. (New Mutants #20)
New Mutants: generally pretty okay with race and culture issues, but when it fails, it fails HARD. (New Mutants #20)
“Also, I recently leveled up and learned Cure Moderate Wounds.” (New Mutants #20)
One of the best covers of all time. (New Mutants #21)
Actually, let’s take a moment to look at that without the design elements, too, because it’s just that gorgeous. (New Mutants #21)
The “don’t let the normal kids see” joke kinda never gets old. (New Mutants #21)
Binary’s hair, tho. (New Mutants #19)
In case you were wondering, this is why Lee Forrester ends up finding Magneto in the middle of an ocean in Uncanny X-Men #187. (New Mutants #21)
TEENAGERS. (New Mutants #21)
Scariest makeover ever. (New Mutants #21)
YAY FOR ROCKY & BULLWINKLE REFERENCES! (New Mutants #21)
Warlock wakes up. (New Mutants #21)
It’s theoretically possible to imagine Warlock designed by an artist other than Bill Sienkiewicz, but why would you ever want to? (New Mutants #21)
Can we take a moment to acknowledge the self-restraint we are demonstrating by not just filling this entire gallery with pictures of Warlock? (New Mutants #21)
Warlock trying to make friends with inanimate objects is the gift that keeps on giving. (New Mutants #21)
Doug Ramsey X-plains proportionate response. (New Mutants #21)
“Can we keep him?” (New Mutants #21)
Next Week: Crossovers!
Special thanks to Andrew Vestal for help assembling the images for this post.
In which we hit the definitive arc of New Mutants; Bill Sienkiewicz blows our minds; Rachel gets choked up over a credits spread; Rahne gets a makeover; Doug Ramsey is justifiably flustered; and Warlock is a friend to household appliances.
NOTE: This episode includes a lot of art talk. While doing so is not strictly necessary to follow the discussion, we recommend listening with the visual companion open.
X-Plained:
Warlock
The transmode virus
New Mutants #18-21
The Demon Bear Saga
Bill Sienkiewicz
Task leaders vs. social leaders
Page layout as a storytelling tool
Soul armor
The Demon Bear and its shadow
One of the best covers of all time
Makeovers
The deeply problematic fate of Tom Corsi and Sharon Friedlander
What the New Mutants are up to these days
Next Week: Crossovers!
You can find a visual companion to the episode on our blog.