Before we jump into this one, let me tell you kids a story.
Once upon a time, there was a gentleman by the name of Dwayne McDuffie. McDuffie was an incredibly important figure in comics: these days, he’s best known as the creator of Static Shock and the co-founder of Milestone Media; for his work across the DCAU; and as a tireless and outspoken advocate for black representation in superhero comics.
In 1989, when McDuffie was an editor at Marvel Comics, he wrote a biting, satirical pitch that has since become industry legend. In his pitch, McDuffie points out that 25% of African-American superheroes appearing in the Marvel Universe over the last year have had skateboard-based superpowers or fighting styles, and proposes a new team to take advantage of this and other equivalently exciting trends, featuring four black guys on skateboards:
Twelve years later, the fifth episode of X-Men: Evolution would introduce the Xavier Institute’s sole black student and the show’s first original character, Evan “Spyke” Daniels:
Art by David Wynne. Prints and cards available until 4/5/2015 in the shop, or contact David for the original.
Professor Xavier reacts to the Xorn retcons. (Uncanny X-Men #196)
Someone really needs to make a gif out of those three panels on the left. (Uncanny X-Men #196)
Not satisfied with his own series, the Beyonder derails someone else’s. (Uncanny X-Men #196)
This is so ridiculously rude. I mean, what if Father Bowen had been asleep, or naked, or talking to a parishioner, or something? “SURPRISE!” (Uncanny X-Men #196)
Kurt Wagner echoes some common criticisms of Secret Wars. (Uncanny X-Men #196)
Awkward. (Uncanny X-Men #196)
KITTY’S FACE. (Uncanny X-Men #196)
Given the parallels between Rachel Summers and Magneto’s backgrounds, it would have been really cool to see this relationship developed further. (Uncanny X-Men #196)
So doomed. (Uncanny X-Men #197)
Aw, these kids. (Uncanny X-Men #197)
Oh, hi, Phoenix II! (Uncanny X-Men #199)
While we’re on the subject: Check out Allie Kleber’s gorgeous design for a ballgown version of Rachel’s first Phoenix costume!
You can almost hear the slash fiction springing into being. (Uncanny X-Men #199)
We’d make “Rachel and Scott Summers pointedly fail to communicate” a drink cue, but no one’s liver deserves that. (Uncanny X-Men #199)
It is super weird how much Val Cooper looks like Tiffani-Amber Thiessen, given that Thiessen would have been eleven years old when this comic came out. Photo-reference of future past? (Uncanny X-Men #199)
“We’ll start by attacking a dude at a Holocaust memorial. It’ll be great practice for your PR team!” (Uncanny X-Men #199)
Rachel Summers was totally the best Phoenix. (Uncanny X-Men #199)
Magneto is a morally complex individual with really excellent hair. (Uncanny X-Men #199)
No matter how much you love your job, you will never love it as much as Mystique loves hers. (Uncanny X-Men #199)
Magneto’s speech here is important, but what you’re really looking at here is his well-tailored suit. You’d expect him to show up to his trial in something like this, right? (Uncanny X-Men #199)
NOPE. Why wear a conservative suit to your trial when you could wear opera gloves and a sleeveless unitard with an M pointing directly to your crotch? (Uncanny X-Men #200)
Neal Conan x-plains Magneto. (Uncanny X-Men #200)
“The counsels for the prosecution and defense have been selected based on the quality of their Joan Rivers impressions.” (Uncanny X-Men #200)
Oh, these assholes. (Uncanny X-Men #200)
So, basically, it’s Tuesday. Also: best editor’s note ever? Best editor’s note ever. (Uncanny X-Men #200)
I don’t think we talked about it in the episode, but this issue has the best damn sound effects. Seriously, I’m just gonna post a bunch of these, because they are great, and the lettering is aces. (Uncanny X-Men #200)
VYANNG! KRAKOOM! (Uncanny X-Men #200)
SKBOOM! (Uncanny X-Men #200)
RKOW! (Uncanny X-Men #200)
KTHAM! (Uncanny X-Men #200)
ZARK! TUNCH! BDAM! THIS LETTERING, Y’ALL. (Uncanny X-Men #200)
Let’s all take a moment to appreciate Kitty’s hella sweet outfit. (Uncanny X-Men #200)
You’re not wrong, Madelyne. (Uncanny X-Men #200)
There’s something intrinsically hilarious about Starjammers fly-bys. (Uncanny X-Men #200)
KITTY, FOCUS ON THE PROBLEM AT… oh. Sorry. That was in poor taste. (Uncanny X-Men #200)
Pretty sure that last speech balloon was supposed to be Kitty’s, not Scott’s. (Uncanny X-Men #200)
MAGNETO MADE SOME VALID POINTS. (Uncanny X-Men #200)
Agh, god, Tom Orzechowski’s sound effects are SO GOOD. (Uncanny X-Men #200)
Sir James Jaspers: total dick. (Uncanny X-Men #200)
CANON: This lady’s name is Judge Kickass. (Uncanny X-Men #200)
NEXT WEEK: ECCC special, featuring Kris Anka, Marguerite Bennett, Kieron Gillen, and Peter Nguyen! (No idea why this photo is showing up upside down, but it looks kind of rad, so we’re just gonna run with it.)
LINKS AND FURTHER READING:
We covered Uncanny X-Men #196 in Episode 38, and Uncanny X-Men #198 in Episode 45.
NPR reporter Neal Conan is a 100% real dude! For an extra meta moment, you can listen to him interview Stan Lee over here.
Art by David Wynne. Prints and cards available until 3/29/2015 in the shop, or contact David for the original.
In which Magneto makes an official alignment shift; Claremont does a court drama; Professor Xavier makes poor choices; Rachel Summers comes by her communication skills honest; the Strucker kids are the evil Wonder Twins; and the podcast hits a major milestone!
X-PLAINED:
Xorn
Uncanny X-Men #196, 199, and 200
The X-Men status quo circa 1985
Magneto’s alignment shift
Beyonder-related existential crises
A hypothetical murder mystery
Minor vandalism as a harbinger of dark futures
Psi-scream
Brood classified ads
A thematic parallel
The tipping point in Scott and Madelyne’s relationship
The new, improved Magneto
The Professor Who Cried Wolf
Phoenix II
Earth-811/Earth-616 disambiguation
Freedom Force
The Trial of Magneto
NPR-616
James Jaspers
The best editor’s note
The mystery of Magneto’s age
Andrea & Andreas Strucker
What not to wear to court
A super icky sword
Phoenix morality
Sponsorship & conflict of interest
NEXT WEEK: Emerald City Comicon special with Kris Anka, Marguerite Bennett, Kieron Gillen, and Peter Nguyen!
You can find a visual companion to this episode on our blog!
Art by David Wynne. Prints and cards available until 3/22/2015 in the shop, or contact David for the original.
X-Men! (X-Men Annual #9)
New Mutants! (X-Men Annual #9)
Check out the gorgeous John R. Neill homage going on in that title card. (New Mutants Special Edition #1)
Karma, transformed. Adams draws her very differently–both more realistically and more recognizably–than Sienkiewicz or Leialoha; and it would be awesome to see a superhero with this as their default shape. (New Mutants Special Edition #1)
Marvel Asgard is basically the land of metal album covers. (New Mutants Special Edition #1)
Aw, Doug. No one appreciates you. (New Mutants Special Edition #1)
Asgardian Wars is chock full of pop-culture cameos and references. (New Mutants Special Edition #1)
GET IT? Not if you weren’t reading Longshot as it was coming out! (New Mutants Special Edition #1)
Warlock in a nutshell. (New Mutants Special Edition #1)
Bobby has found his element. (New Mutants Special Edition #1)
AMARA, WHAT IS THE FIRST RULE OF DEALING WITH FAIRIES? (New Mutants Special Edition #1)
The hands-down most awesome variation on the Darkchylde design. If only this had stuck around. (New Mutants Special Edition #1)
No, seriously, Shan is literally on Arrakis. (New Mutants Special Edition #1)
THE WARRIORS THREE ARE THE BEST AND ANYONE WHO TELLS YOU OTHERWISE IS FULL OF WRONG. (New Mutants Special Edition #1)
Fire-elf Magma. (New Mutants Special Edition #1)
Throughout the nine realms, skalds sing of the masterwork fire extinguishers of Nidavellir. (New Mutants Special Edition #1)
The Dani-becomes-a-Valkyrie arc reminds me of the thing where literally everyone else realizes you’re queer before you do. (New Mutants Special Edition #1)
Another Darkchylde panel, because this costume is just so damn good. (New Mutants Special Edition #1)
IT’S STORM AND SHE’S A HAWK AND SHE HAS A TEENY MOHAWK. That’s all. Carry on with your business. (New Mutants Special Edition #1)
Those title cards, though. (X-Men Annual #9)
What, don’t you have a psychic link with your “roommate”? (X-Men Annual #9)
‘Kay. (X-Men Annual #9)
TOO SOON, RACHEL. TOO SOON. (X-Men Annual #9)
Because I was raised by bleeding-heart feminists in the ’80s, I now have “Free to Be… You and Me” stuck in my head. THANKS, CLAREMONT. (X-Men Annual #9)
Aw, man. (X-Men Annual #9)
I want to see a “What If” splinter story where Sam is an epic hero and also basically Carrot from Discworld. I mean, there kind of is one–“What if the New Mutants Had Stayed in Asgard”–but still. MORE. (X-Men Annual #9)
DANI LITERALLY NO ONE IN THIS ROOM HAS PHYSICAL POWERS. (X-Men Annual #9)
Art Adams draws awesome Warlock. (X-Men Annual #9)
WOLF MAKEOUTS! (X-Men Annual #9)
Subtext: Not just for the ladies! (X-Men Annual #9)
This isn’t directly relevant to the episode. It’s just awesome. (X-Men Annual #9)
NOW LET’S GO DEFEAT THE FRENCH! (X-Men Annual #9)
It’s no KRAKADOOM, but I guess it’ll do. (X-Men Annual #9)
Dani is THE BEST VALKYRIE. (X-Men Annual #9)
“Well, at least I have this 1/6-scale statuette to keep me company.” (X-Men Annual #9)
NEXT WEEK: Rachel and Miles get lucky.
LINKS AND FURTHER READING:
The Mighty Thor #362 is one of the best issues of one of the best runs in Marvel history.
For craft wonks, we recommend the hell out of the Thor Artist’s Edition, if you can get your hands on a copy.
Actually, you know what? Just go read the whole Simonson run, right now. It’s collected and available in a bunch of forms. You won’t regret it. we promise.
Once you’re done reading Thor, go watch Leverage, because it is wonderful.
Art by David Wynne. Prints and cards available until 3/22/2015 in the shop, or contact David for the original.
In which Asgardian Wars occupies the precise intersection of Miles’s favorite things; Marvel Asgard is your favorite metal album; no one appreciates Cypher; Wolfsbane gets some action; Warlock gets meta; Cannonball is a catch; Rachel Summers gets a new costume; Loki does Shakespeare; and Rachel overthinks Leverage.
X-PLAINED:
Various Mjolnirs and their attendant powers
Asgardian Wars
New Mutants Special Edition #1
X-Men Annual #9
The Surtwar
Art Adams
Amora the Enchantress
Lorelei
Several pop culture cameos
A really dubious beach party
The Viking Sorceress Asgardian Portrait of Dorian Grey
Ed Grimley
Hrimhari
Wolf makeouts
The Marvel version of Norse mythology
The Warriors Three
Rule #1 of dealing with fairies
A hawk ‘hawk
Valkyries
Einherjar
A costume in somewhat questionable taste
Interdimensional lightning-bolt mixology
Our favorite Thor story, ever
How to get your friends and neighbors into comics
Asgardian mutants (or lack thereof)
X-Leverage cross-casting
NEXT WEEK: Longshot!
You can find a visual companion to this episode on our blog!
Evolution Rogue is awesome. She’s one of the characters who fares best in reimagining–as I wrote about Cyclops in S1E1, Rogue is very recognizably written in the spirit of some of the best previous versions of the character, with the letter flexible enough to let her develop organically in her new context and setting.
So it should be no surprise when I tell you that a lot of the best stuff in the generally pretty shaky and uneven Season One centers around Rogue. And that, my friends, begins here. Lace up your best New Rocks, dig up some black lipstick (or steal your friend’s eyeliner crayon and be careful not to lick your lips), and get ready to rumble.
You know how I said that X-Men: Evolution is really entertaining even when it’s really, really bad? This week, we’re gonna put that to the test. Prepare for more rock puns than you have ever heard in a single 22-minute stretch. Also, Transformers. Kinda.
In other news, I still have no idea what the titles refer to.
BUT FIRST, A PRETEND HORROR MOVIE!
We open with the Pryde home, in a fictional town in Illinois. The town has a name, but I don’t care what it is, and it’s never going to be relevant again, so I’m just gonna call it Fake Deerfield. Cool? Cool.
OH, MY GOD, IT’S GRATUITOUS LIGHTNING!
Kitty dreams that she’s falling, and–spoiler–she actually falls through her bed and floor and lands in the basement. She wakes up screaming, and her parents rush down to comfort her. They think she was sleepwalking–until they look up and a PORTENTOUS FLASH OF LIGHTNING illuminates her blanket, embedded in the basement ceiling.
OH MY GOD! THAT’S–actually, wait, that’s not scary at all.
Okay, look, I get what they were shooting for here, but you know who has the least horror-movie powers of just about all the X-Men? Hint: It’s definitely Kitty, barring the stories where phased becomes her default state (which this isn’t). Framing this scene and the Prydes’ cheerfully generic suburban house like a horror movie reminds me of one of those recut trailers where you try to make a movie look like a genre it obviously isn’t; or a kid telling a shaggy-dog joke and then waiting for you to be overjoyed at the lack of punchline; or the entire movie White Noise.1 It’s all buildup, with no proportionate payoff.
Ew, Cerebro, no. Don’t do that.
Meanwhile, back at Stately Xavier Manor, Kitty’s late-night spill pings Cerebro. Does anyone else find it unsettling that Professor X has a psychic supercomputer that provides him with turnaroundfull body scans of teenagers?
Also, Cerebro accurately predicts the outfit that Kitty is going to wear to school the next day.2
“What am I?” wails Kitty. “What’s happening to me?” Just give it five seconds, kid–the credits montage identifies you quite clearly as Shadowcat.
I was a little too old to catch X-Men: Evolution the first time around. It debuted my freshman year of college, corresponding with the peak of my nerd pretension—that larval-geek phase where you insist on calling all comics graphic novels—and like the arch little fucker I was, I dismissed it sight-unseen as X-Men dumbed down.
A few years ago, I finally sat down and watched my way through X-Men: Evolution and came away with two conclusions: teenage Rachel was kind of a dolt; and X-Men: Evolution is delightful.
Not only is Evolution not X-Men dumbed down, it’s a really clever, appealing reinvention. In fact, Evolution accomplishes what the Ultimate universe never quite could: shaking off years of continuity and attracting an entirely new audience with a distilled version of one of Marvel’s most convoluted lines.
If you’re not familiar with X-Men: Evolution, the premise is roughly thus: The Xavier Institute is an extracurricular boarding school of sorts, whose students are mainstreamed into their district school—Bayville High—for academics. Some of the characters—Storm, Wolverine, and Professor Xavier on the side of the angels; Mystique, Magneto, and a few others on the other end of the moral spectrum—stay adults; everyone else is aged down to teenagers. Evolution draws characters and some story hooks from the comics, but for the most part, it occupies its own discrete continuity.
And as continuities go, it’s a good one. It’s clever and fun, it’s got a ton of heart, and it stays true to the core themes and characters of the source material without becoming overly beholden to the letter of the text. By the end, it’ll become a really, really good show; but even when it’s bad, X-Men: Evolution is bad in really entertaining ways.
Which is important, because X-Men: Evolution gets off to a pretty rocky start.
Art by David Wynne. Prints, cards, and travel mugs available until 2/22/2015 in the shop, or contact David for the original.
Ruth and Luca Aldine. (X-Men: Legacy vol. 2 #5)
Our introduction to Legion. (New Mutants #25)
Legion has consistently inspired some of the best covers in Marvel’s lineup. (New Mutants #26)
DON’T WEAR FRINGED BOOTS TO THE GYM, TOM CORSI. DON’T DO THAT. (New Mutants #26)
That creepy laughter is so awesome. (New Mutants #26)
VVTOOOOM! (New Mutants #26)
Warlock is the best ever, forever. (New Mutants #26)
WARLOCK IS THE BEST EVER, FOREVER. (New Mutants #26)
Not gonna lie: watching the White Queen take Empath to task was pretty satisfying. (New Mutants #26)
Warlock is not super good at being human, and it is charming as hell. (New Mutants #26)
In which Charles Xavier owns some fairly heinous shit. (New Mutants #26)
No, seriously: Legion covers are pretty much always top notch. (New Mutants #27)
Next time you watch Pink Floyd’s The Wall, pretend it’s about Legion and Professor X. It works surprisingly well. (New Mutants #27)
Jack, Jemail, Cyndi–and David. (New Mutants #27)
Legion’s mindscape. It’s not a Demon Bear, but it’ll do. (New Mutants #27)
Does Jack Wayne scare you? He should. (New Mutants #27)
Cyndi: your angry teenager’s inner angry teenager. (New Mutants #27)
Who needs nuance when you can straight-up stab a dude instead? (New Mutants #27)
Love, love, love this title page. (New Mutants #28)
Lee Forrester contemplates consent, power dynamics, and maybe also Lovecraftian horrors. (New Mutants #28)
The last panel is, of course, a lie. (New Mutants #28)
The first time Legion broke the Marvel Universe. (X-Men vol. 2 #41)
The second time Legion broke the Marvel Universe. (X-Men: Legacy vol. 1 #248)
Legion’s mental prison, at the beginning of X-Men: Legacy vol. 2 #1…
…and after the jailbreak in X-Men: Legacy vol. 2 #2.
The Origamist. (X-Men: Legacy vol. 2 #4)
It is entirely fair to judge X-Men: Legacy vol. 2 by Mike Del Mundo’s gorgeous, brilliant covers.
Seriously, look at this. They are all this good. (X-Men: Legacy vol. 2 #6)
Professor Y. (X-Men: Legacy vol. 2 #6)
Next Week: We were going to cover a whole bunch of X-Men, but we ended up spending the whole time talking about Storm and Lifedeath II. WE REGRET NOTHING.
Art by David Wynne. Prints, cards, and travel mugs available until 2/22/2015 in the shop, or contact David for the original.
In which Legion grows from setting to protagonist; Rachel is a master of narrative rationalization; “Claremont” is a verb; Warlock befriends an airplane; Xavier owns a significant mistake; New Mutants does a deep dive into power dynamics; you should go read X-Men: Legacy already; and Si reveals the true secret nature of reality.
X-PLAINED:
Blindfold (Ruth Aldine)
Luca Aldine
Legion (David Haller)
Mental illness in fiction
New Mutants #26-28
Socialized medicine
Appropriate gym apparel
Rachel’s favorite scene from any X-book, ever
Claremonting
Jack Wayne
Cyndi
Jemail Karami
Roughly 20 years of condensed continuity
The Age of Apocalypse
Age of X
X-Men: Legacy vol. 2
Father issues
David Haller’s accent
The Origamist
Santi Sardina
A visual metaphor
The true secret nature of reality
Professor Y
The Franklin Richards Universe Hypothesis
NEXT WEEK: Spotlight on Storm
You can find a visual companion to this episode on our blog!
