Art by David Wynne. Prints and cards available until 3/22/2015 in the shop, or contact David for the original.
X-Men! (X-Men Annual #9)
New Mutants! (X-Men Annual #9)
Check out the gorgeous John R. Neill homage going on in that title card. (New Mutants Special Edition #1)
Karma, transformed. Adams draws her very differently–both more realistically and more recognizably–than Sienkiewicz or Leialoha; and it would be awesome to see a superhero with this as their default shape. (New Mutants Special Edition #1)
Marvel Asgard is basically the land of metal album covers. (New Mutants Special Edition #1)
Aw, Doug. No one appreciates you. (New Mutants Special Edition #1)
Asgardian Wars is chock full of pop-culture cameos and references. (New Mutants Special Edition #1)
GET IT? Not if you weren’t reading Longshot as it was coming out! (New Mutants Special Edition #1)
Warlock in a nutshell. (New Mutants Special Edition #1)
Bobby has found his element. (New Mutants Special Edition #1)
AMARA, WHAT IS THE FIRST RULE OF DEALING WITH FAIRIES? (New Mutants Special Edition #1)
The hands-down most awesome variation on the Darkchylde design. If only this had stuck around. (New Mutants Special Edition #1)
No, seriously, Shan is literally on Arrakis. (New Mutants Special Edition #1)
THE WARRIORS THREE ARE THE BEST AND ANYONE WHO TELLS YOU OTHERWISE IS FULL OF WRONG. (New Mutants Special Edition #1)
Fire-elf Magma. (New Mutants Special Edition #1)
Throughout the nine realms, skalds sing of the masterwork fire extinguishers of Nidavellir. (New Mutants Special Edition #1)
The Dani-becomes-a-Valkyrie arc reminds me of the thing where literally everyone else realizes you’re queer before you do. (New Mutants Special Edition #1)
Another Darkchylde panel, because this costume is just so damn good. (New Mutants Special Edition #1)
IT’S STORM AND SHE’S A HAWK AND SHE HAS A TEENY MOHAWK. That’s all. Carry on with your business. (New Mutants Special Edition #1)
Those title cards, though. (X-Men Annual #9)
What, don’t you have a psychic link with your “roommate”? (X-Men Annual #9)
‘Kay. (X-Men Annual #9)
TOO SOON, RACHEL. TOO SOON. (X-Men Annual #9)
Because I was raised by bleeding-heart feminists in the ’80s, I now have “Free to Be… You and Me” stuck in my head. THANKS, CLAREMONT. (X-Men Annual #9)
Aw, man. (X-Men Annual #9)
I want to see a “What If” splinter story where Sam is an epic hero and also basically Carrot from Discworld. I mean, there kind of is one–“What if the New Mutants Had Stayed in Asgard”–but still. MORE. (X-Men Annual #9)
DANI LITERALLY NO ONE IN THIS ROOM HAS PHYSICAL POWERS. (X-Men Annual #9)
Art Adams draws awesome Warlock. (X-Men Annual #9)
WOLF MAKEOUTS! (X-Men Annual #9)
Subtext: Not just for the ladies! (X-Men Annual #9)
This isn’t directly relevant to the episode. It’s just awesome. (X-Men Annual #9)
NOW LET’S GO DEFEAT THE FRENCH! (X-Men Annual #9)
It’s no KRAKADOOM, but I guess it’ll do. (X-Men Annual #9)
Dani is THE BEST VALKYRIE. (X-Men Annual #9)
“Well, at least I have this 1/6-scale statuette to keep me company.” (X-Men Annual #9)
NEXT WEEK: Rachel and Miles get lucky.
LINKS AND FURTHER READING:
The Mighty Thor #362 is one of the best issues of one of the best runs in Marvel history.
For craft wonks, we recommend the hell out of the Thor Artist’s Edition, if you can get your hands on a copy.
Actually, you know what? Just go read the whole Simonson run, right now. It’s collected and available in a bunch of forms. You won’t regret it. we promise.
Once you’re done reading Thor, go watch Leverage, because it is wonderful.
In which Asgardian Wars occupies the precise intersection of Miles’s favorite things; Marvel Asgard is your favorite metal album; no one appreciates Cypher; Wolfsbane gets some action; Warlock gets meta; Cannonball is a catch; Rachel Summers gets a new costume; Loki does Shakespeare; and Rachel overthinks Leverage.
X-PLAINED:
Various Mjolnirs and their attendant powers
Asgardian Wars
New Mutants Special Edition #1
X-Men Annual #9
The Surtwar
Art Adams
Amora the Enchantress
Lorelei
Several pop culture cameos
A really dubious beach party
The Viking Sorceress Asgardian Portrait of Dorian Grey
Ed Grimley
Hrimhari
Wolf makeouts
The Marvel version of Norse mythology
The Warriors Three
Rule #1 of dealing with fairies
A hawk ‘hawk
Valkyries
Einherjar
A costume in somewhat questionable taste
Interdimensional lightning-bolt mixology
Our favorite Thor story, ever
How to get your friends and neighbors into comics
Asgardian mutants (or lack thereof)
X-Leverage cross-casting
NEXT WEEK: Longshot!
You can find a visual companion to this episode on our blog!
Evolution Rogue is awesome. She’s one of the characters who fares best in reimagining–as I wrote about Cyclops in S1E1, Rogue is very recognizably written in the spirit of some of the best previous versions of the character, with the letter flexible enough to let her develop organically in her new context and setting.
So it should be no surprise when I tell you that a lot of the best stuff in the generally pretty shaky and uneven Season One centers around Rogue. And that, my friends, begins here. Lace up your best New Rocks, dig up some black lipstick (or steal your friend’s eyeliner crayon and be careful not to lick your lips), and get ready to rumble.
Art by David Wynne. Prints, cards, and travel mugs available until 3/1/2015 in the shop, or contact David for the original.
The first page of Lifedeath II. (Uncanny X-Men #198)
Contrast to the first page of Lifedeath I, 12 issues previous. (Uncanny X-Men #186)
Hallucinatory Forge. Check out those background textures, too. (Uncanny X-Men #198)
Barry Windsor Smith’s X-Men. (Uncanny X-Men #198)
Pretty snake. (Uncanny X-Men #198)
Isn’t it cool how when you don’t compulsively draw every woman as super sexy all the time, you can actually tell stories? (Uncanny X-Men #198)
Motion and rhythm in a still medium. (Uncanny X-Men #198)
Didn’t actually talk about these panels in the episode, but can we just take a moment to admire how splendidly Barry Windsor-Smith draws hands? And, y’know, everything else? (Uncanny X-Men #198)
SERIOUSLY, THIS COMIC. THIS IS OUR STORM.(Uncanny X-Men #198)
Tanya Moodie as Hunter in Neverwhere.
Frenzy is both rad as hell and criminally underused. ARE YOU THERE, MARVEL? IT’S ME, RACHEL. (X-Men: Legacy vol. 1 #249)
Idie Okonkwo (Oya) is awesome and adorable and also one of the best new X-characters of the last five years. (Generation Hope #10)
Next Week: A lot of Beauty and the Beast callbacks.
This didn’t actually come up in the episode, but you’ve got just under one week left to get What Would Peter Corbeau Do? t-shirts before they disappear FOREVER.
In which we discard our regularly scheduled programming to focus on Storm and Lifedeath II; no one draws motion like Barry Windsor-Smith; Storm goes up to eleven; and we really wish we had the frame of reference to place this story in the larger context of diaspora literature.
X-Plained:
Forge
The Adversary
Uncanny X-Men #198 (Lifedeath II)
Storm
The narrative impact of sexualization
Barry Windsor-Smith
Extreme weather in comics
Hallucinatory X-Men
Storm in adaptation
The Storm elevator pitch
Our Storm dream casting
Mjnari
Artist editions
Colonialism
Storm as a liminal figure
NEXT WEEK: The New Mutants Go to the Arena!
You can find a visual companion to this episode on our blog!
I was a little too old to catch X-Men: Evolution the first time around. It debuted my freshman year of college, corresponding with the peak of my nerd pretension—that larval-geek phase where you insist on calling all comics graphic novels—and like the arch little fucker I was, I dismissed it sight-unseen as X-Men dumbed down.
A few years ago, I finally sat down and watched my way through X-Men: Evolution and came away with two conclusions: teenage Rachel was kind of a dolt; and X-Men: Evolution is delightful.
Not only is Evolution not X-Men dumbed down, it’s a really clever, appealing reinvention. In fact, Evolution accomplishes what the Ultimate universe never quite could: shaking off years of continuity and attracting an entirely new audience with a distilled version of one of Marvel’s most convoluted lines.
If you’re not familiar with X-Men: Evolution, the premise is roughly thus: The Xavier Institute is an extracurricular boarding school of sorts, whose students are mainstreamed into their district school—Bayville High—for academics. Some of the characters—Storm, Wolverine, and Professor Xavier on the side of the angels; Mystique, Magneto, and a few others on the other end of the moral spectrum—stay adults; everyone else is aged down to teenagers. Evolution draws characters and some story hooks from the comics, but for the most part, it occupies its own discrete continuity.
And as continuities go, it’s a good one. It’s clever and fun, it’s got a ton of heart, and it stays true to the core themes and characters of the source material without becoming overly beholden to the letter of the text. By the end, it’ll become a really, really good show; but even when it’s bad, X-Men: Evolution is bad in really entertaining ways.
Which is important, because X-Men: Evolution gets off to a pretty rocky start.
Rachel here! ICYMI, they’ve just announced the casting for the three new kids in X-Men: Apocalypse. Let’s take a look:
Sophie Turner as Jean Grey:
Sophie Turner is the only one of the three I’ve seen in anything, ever; and I could not be happier to see her step into Jean Grey’s bright yellow boots. Turner’s a fantastic actress, and Sansa Stark is basically the Jean Grey of Game of Thrones: completely awesome and chronically thrown under the bus by both canon and audience. (Incidentally: talk shit about Sansa stark in the comments, and we will cut you. Sansa rules.)
Alexandra Shipp as Storm:
Totally unfamiliar with Shipp, but she looks like a baby Storm, and she’s not Halle Berry, so that’s two points in her favor.
Tye Sheridan as Cyclops:
With the caveat that I’m no more familiar with this kid than I am with Shipp, can we take a moment to agree that the correct casting for teen Cyclops is and always will be Swing Kids-era Robert Sean Leonard?
If you want to help support the podcast–and see Rachel recap and review all 52 episodes of X-Men Evolution–now might be a good time to click over to our Patreon.
In which writer G. Willow Wilson joins us to talk about her new run on X-Men; the Future is really confusing; we consider the many iterations of Rachel Grey; Storm probably has strong feelings about climate change; and writing for a shared universe takes some seriously fancy footwork.
X-Plained:
Jubilee
Shogo (a little)
The future vs. the Future
X-Men vols. 1-4
The logistics of stepping into a book mid-series
Pigeonholing and “girl” books
The proper pronunciation of Kamala
Storm (again)
Psylocke
M
Rachel Grey (again)
Cross-title coordination
Writing in a shared universe
Super-powered ecology
The gender politics of telepathy
Writing and dialogue across media
Marginalization, intersectionality, and the mutant metaphor
Next Week: Pink robots from the future!
You can find a visual companion to this episode on our blog!
Art by David Wynne. Prints and travel mugs available until 1/11/2015 in the shop, or contact David for the original.
Hope you survive the… oh, wait. (Uncanny X-Men #123)
Next Issue: Spider-Man quotes Atlas Shrugged until the Fantastic Four politely ask him to leave. (Uncanny X-Men #123)
Cyclops: the worst at dates, or definitely the worst at dates? (Uncanny X-Men #123)
Pause for a moment to take in the glory of this perfect murder truck and its perfect sound effects. (Uncanny X-Men #123)
Just for the record, we would TOTALLY read a comic about Cracklin’ Rosa. (Uncanny X-Men #123)
Well. That happened. (Uncanny X-Men #123)
Arcade: Really good at his job, until he’s not. (Uncanny X-Men #123)
It’s a “Hope you survive the experience!” riff! Take a drink! (Uncanny X-Men #123)
Cyclops, look, we know you were kind of raised by a supervillain, but pro tip: people who kidnap you and drop you into funhouse death traps ARE GENERALLY NOT TO BE TRUSTED. (Uncanny X-Men #123)
The sound effect in the blast, tho. (Uncanny X-Men #123)
COSPLAY THIS MAN COSPLAY HIM RIGHT NOW (Uncanny X-Men #123)
If Arcade ever makes it to the big screen, he damn well better be played by Jim Rash. Just sayin’. (Uncanny X-Men #123)
Who gift-wraps the hostages? Do they just have those boxes sitting around? WE MAY NEVER KNOW. (Uncanny X-Men #124)
Cyclops solves problems with optic blasts and geometry! Take a drink! (Uncanny X-Men #124)
‘Kay, then. (Uncanny X-Men #124)
Starring the Most Reluctant X-Men Ever (after that one team Jean Grey put together when Magneto had Professor X hostage in the Savage Land, or I guess probably any other version of the team involving Sunfire). (Uncanny X-Men #146)
Let’s take a moment of silence for how much more awesome this panel would be if Arcade were toying idly with a HeroQuest set. (Uncanny X-Men #146)
GOD, Arcade! Don’t you know ANYTHING? (Uncanny X-Men #146)
More festive pudding-cup hostages! Why? Why not? (Uncanny X-Men #146)
No, but, seriously. (Uncanny X-Men #146)
Phil and Tobe are the Harvey and Janet of Doom Minions. (Uncanny X-Men #147)
Aw, Tobe. You’re a stand-up minion. (Uncanny X-Men #147)
The hell whaaaaat? (Uncanny X-Men #197)
This is kind of like when you go to someone’s house and you’re looking for the bathroom and you open a door that you’re pretty sure is the door to the bathroom and it’s actually a room full of robots dressed up like all your mutual friends. I mean, that happens to other people, right? (Uncanny X-Men #197)
‘Kay. (Uncanny X-Men #197)
THIS TRAIN MONSTER IS SO GOOD. (Uncanny X-Men #197)
You know she’s been saving that one up for like a year. (Uncanny X-Men #197)
I kind of love Arcade and Miss Locke’s original dynamic, before it got super screwed up and sex-murdery. (Uncanny X-Men #197)
NEXT WEEK: Miles returns, and Cloak and Dagger meet the New Mutants!
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