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Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
It’s the whole gang! Kind of! And some of them are evil! BUT STILL! (Uncanny X-Men #242)
No, it’s not. (Uncanny X-Men #242)
SEE? (Uncanny X-Men #242)
Only one of many reasons that enthusiastic consent is important. (Uncanny X-Men #242)
Iceman is so underrated. Dude’s the heart and conscience of the original five. (Uncanny X-Men #242)
WELL, THEN. (Uncanny X-Men #242)
N’astirh may be evil, but he has impeccable taste in infernal vehicles. (Uncanny X-Men #242)
That’s the cold wind of metaphor, Alex. (Uncanny X-Men #242)
Madelyne Pryor knows from genre conventions. (Uncanny X-Men #242)
Aw, man. These two. (Uncanny X-Men #242)
Inferno’s a pretty dark crossover, but it has some really damn delightful moments. (Uncanny X-Men #242)
Love N’astirh’s face in that first panel. (Uncanny X-Men #242)
No one draws a possessed skyline like Silvestri. (Uncanny X-Men #242)
SUCKERS. You’ve still got three issues left! (Uncanny X-Men #242)
I’m genuinely curious as to whether this splash page started out as a cover design. (Uncanny X-Men #242)
“We’ll laugh about this later.” (X-Factor #38)
THAT SOUND EFFECT! (X-Factor #38)
Madelyne Pryor is the best at villain speeches. (X-Factor #38)
This panel is awesome, which is probably why there are going to be a lot of callbacks to it. (X-Factor #38)
This sequence is kind of a great encapsulation of a lot of Scott and Alex’s relationship. (X-Factor #38)
Jean’s rocky and reluctant alliance with the Phoenix force makes each of them a good deal more interesting. (X-Factor #38)
The most important relationship–and scenes–in Inferno are between Jean and Madelyne. I really wish we’d gotten more of the two of them together. (X-Factor #38)
“We’ll need to harness the power of all of our best sound effects!” (X-Factor #38)
Perfect panel is perfect. (X-Factor #38)
On one hand: this is all kind of Scott’s fault. On the other hand: it’s hard not to feel bad for him. (X-Factor #38)
Inferno: In which everyone is wrong and everyone is sympathetic. (X-Factor #38)
OH, YEAH! (Uncanny X-Men #243)
X-Factor will continue to play with this idea to some extent, but it’ll fade away pretty fast, and that’s a damn shame. (Uncanny X-Men #242)
Ditto, this. (Uncanny X-Men #242)
Jean, Madelyne, or Phoenix; her story at its best will always be about self-determination. (Uncanny X-Men #242)
Valid. (Uncanny X-Men #242)
Pawing through the X-Men’s stuff is one of the less invasive things Sinister has done in this arc, but there’s something extra creepy about it. (Uncanny X-Men #242)
Walter Simonson’s ability to make Longshot’s hair look good is the eight wonder of the world. (X-Factor #39)
Scott Summers’ Life Is An Actual Anxiety Dream, chapter infinity. (X-Factor #39)
Oh, hey, it’s the rest of Cyclops’s backstory! (X-Factor #39)
Does Nebraska even have a Department of Social Services? (X-Factor #39)
I just really love this page. (X-Factor #39)
This panel might have the highest appearance-to-reality-of-finality ratio in comics. (X-Factor #39)
And they all lived happily ever after. (X-Factor #39)
NEXT WEEK: Apocalypse for Beginners!
LINKS & FURTHER LISTENING
- For our Inferno coverage, we’re working (somewhat loosely) from the reading order mapped out at UncannyXMen.net.
- We’ll be bringing you up to speed on both the cinematic X-Men and Apocalypse’s comics background in episode 110, but if you want to brush up this week, you can do that here:
