All of those facial expressions are great. (X-Men #4)
Ewwwww. (X-Men #4)
File this one under “references that haven’t aged all that coherently.” (X-Men #4)
She yelled so hard it changed the shape of the panels! (X-Men #4)
These jerks and their delightful wardrobe! (X-Men #4)
Why is he allowed to live there, again? (X-Men #4)
That is… an outfit. (X-Men #4)
You can almost hear the inchoate yelling. (X-Men #5)
Cerebro is officially ridiculous. I mean, more ridiculous than usual. (X-Men #5)
Psylocke, just admit that you were sunbathing. No one will judge you. (X-Men #5)
More Fenris fashions. (X-Men #5)
“We worked really hard to reconcile the continuity between these two titles, and we wanted to make damn sure that you appreciated the effort.” (X-Men #5)
Cyclops was right. (X-Men #5)
That’s actually a really cool way to transition into a flashback. (X-Men #5)
“In addition to a Mutant Death Factor, I come with my own exposition!” (X-Men #6)
Someone’s crossed the X-axis! (X-Men #6)
He’s also got a dark pink tie in some panels. (X-Men #6)
SERIOUSLY WHAT ARE THOSE THINGS HE’S STUCK IN (X-Men #7)
Psylocke is the master of the deadpan plot twist. (X-Men #7)
If you don’t automatically hear this line delivered by Christian Kane as Eliot Spencer, I don’t know what to tell you. (X-Men #7)
Maverick. (X-Men #7)
It’s rough to be Alison Blaire. (X-Men #5)
I unironically love this trio of dramatic poses; and also the fact that I absolutely believe that these characters would pose dramatically before fights. (X-Men #6)
Aw. (X-Men #6)
NEXT EPISODE: Larry Stroman somehow manages to make the MLF look cool. (Also, there’s a Hulk crossover.)
I’m fairly sure I’ve linked to “Class of ’64” before, but it’s one of the best-developed reimaginings of the X-Men I’ve found, in or out of canon.
Unfortunately, R. Orion Martin’s “X-Men of Color” series no longer appears to be online, but you can learn more about it here and here. (Also worth reading: Darryl Ayo’s rebuttal to Martin’s article.)
David is on vacation this week! We hope you enjoy this substitute illustration of two gentlemen enjoying each other’s company.
In which Miles is almost caught up on The Gifted (but still hasn’t seen The Prisoner and should be very ashamed of himself); Omega Red is a cool action figure but a boring character; Professor Xavier definitely knows what you did last night; Fenris remains delightfully trashy; Weapon X had an improbably high survival rate; Sabretooth cleans up pretty well; we need to work some new rules for dividing up character voices; the Mojoverse has terrible employee benefits; and mongoose blood will definitely not give you superpowers.
X-PLAINED:
Refugees from the Age of Apocalypse
Creative use of teleportation
X-Modifiers
Jay & Miles at Emerald City Comic Con
X-Men vol. 2 #4-7
The sitcom model of creative logistics
One way to bring someone back to life
Mutant Death Factor
Omega Red (Arkady Gregorivich)
Wolverine’s school pictures
Gambit’s ponytail and the logistics thereof
Sex at the X-Mansion
Fenris fashion
Ritualistic facepalming
Moira MacTaggert’s nightmares
Formalwear and motorcycle safety
An elegantly choreographed cockblock
Retracting tentacle logistics
Carbonadium synthesizers
Dr. Pepper Twizzlers
Ponytails as moral compasses
Sabretooth’s excellent taste in formalwear
Ornithology
Those big, weird tube handcuff things
Cyclops and Wolverine’s eventual friendship
The return of Longshot
What would happen if you gave a human a transfusion of mongoose blood
Some X-Cellent fanfiction
X-details we’d change
NEXT EPISODE: X-Factor Meets the Hulk!
Special thanks to consulting X-Pert and Actual Scientist Dr. Lauriel Earley!
Check out the visual companion to this episode on our blog!
Jay and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
We’re in the process of migrating our official shop to TeePublic! Click over to check it out! (You can still find the designs we haven’t moved yet at Redbubble.)
Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
In which the back-up stories of Atlantis Attacks are way better than the main event; the Serpent Society is hilarious; Longshot finds a rock; the S.U.R.F.E.R.S. are no Neutrinos; our volume of digressions is inversely proportional to our investment in this crossover; Jay overthinks sunglasses; and somehow we still aren’t entirely done with Inferno.
X-PLAINED:
Leonard McKenzie
Princess Fen
Tiger Shark
A dubious crossover event and three splendid backup stories
The best thing in Marvel Puzzle Quest
Skateman
Atlantis Attacks
Uncanny X-Men Annual #13
New Mutants Annual #5
X-Factor Annual #4
Ghaur
Llyra
Homomermanus
The Serpent Society
Boomslang
Why snakes don’t wear vests
The Maple Hill Farm books
The Horn of Doom (again)
Namorita
Impractical swimwear
Surf, or S.U.R.F.E.R.S., or whoever the hell they are
Zak and the Neutrinos
The trouble with mobile landmarks
A case of mistaken identity
The true meaning of something, probably
Ralph Macchio, but not that Ralph Macchio
Circumstances in which it is acceptable to throw a small child down an elevator shaft
The definitive Boom Boom
Eligible gentlemen of the Marvel Universe
Boom Boom Von Doom
A false dichotomy
Sally Pashkow
A really great outfit
Presidencies rated by X-Books
Best and worst moral inversions
NEXT WEEK: Mojo Mayhem!
ART CHALLENGE: Send your best Boom Boom romance stories, covers, and pin-ups to xplainthexmen(at)gmail.com by SEPTEMBER 15, with the subject line BOOM BOOM RULES.
NOTE: In this episode, Jay briefly confused two Marvel villain teams: the Serpent Society (snake-themed villains); and the Sons of the Serpent, also known as the Serpent Men (hate group). We would like to offer our apologies to the Serpent Society, who are ridiculous but not, as far as we know, racist.
You can find a visual companion to this episode on our blog!
Jay and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
I can summarize most episodes of X-Men: Evolution from memory, in a fair degree of detail; so it surprised me when, in reviewing the Season 1 roster, I realized I recalled almost nothing of “Survival of the Fittest” beyond the fact that it involved some kind of summer camp scenario. When I started to watch, I realized why: in a season where even the bad episodes are usually entertaining, this one is just boring as all hell.
On my first pass, I stopped taking notes five minutes in, because nothing was happening. By the halfway mark, I was actively fantasizing about watching paint dry.1But I am nothing if not committed, readers. I promised you a recap, and a recap you would have, come hell or high water.
Ah, well. At least I get to judge cartoon teenagers for their fashion choices.
I was a little too old to catch X-Men: Evolution the first time around. It debuted my freshman year of college, corresponding with the peak of my nerd pretension—that larval-geek phase where you insist on calling all comics graphic novels—and like the arch little fucker I was, I dismissed it sight-unseen as X-Men dumbed down.
A few years ago, I finally sat down and watched my way through X-Men: Evolution and came away with two conclusions: teenage Rachel was kind of a dolt; and X-Men: Evolution is delightful.
Not only is Evolution not X-Men dumbed down, it’s a really clever, appealing reinvention. In fact, Evolution accomplishes what the Ultimate universe never quite could: shaking off years of continuity and attracting an entirely new audience with a distilled version of one of Marvel’s most convoluted lines.
If you’re not familiar with X-Men: Evolution, the premise is roughly thus: The Xavier Institute is an extracurricular boarding school of sorts, whose students are mainstreamed into their district school—Bayville High—for academics. Some of the characters—Storm, Wolverine, and Professor Xavier on the side of the angels; Mystique, Magneto, and a few others on the other end of the moral spectrum—stay adults; everyone else is aged down to teenagers. Evolution draws characters and some story hooks from the comics, but for the most part, it occupies its own discrete continuity.
And as continuities go, it’s a good one. It’s clever and fun, it’s got a ton of heart, and it stays true to the core themes and characters of the source material without becoming overly beholden to the letter of the text. By the end, it’ll become a really, really good show; but even when it’s bad, X-Men: Evolution is bad in really entertaining ways.
Which is important, because X-Men: Evolution gets off to a pretty rocky start.
In which we introduce the villains of the Silver Age: Magneto makes some valid points, Mastermind is a Nice Guy of OkCupid, the Scarlet Witch predicts Cat Breading, the Trasks should really have known better, and the Comics Code Authority is down with pterosaurs.
X-Plained:
Common characteristics of enduring X-villains
Mutant identity politics and moral relativism
Context-agnostic Juggernaut flashbacks
An unorthodox approach to anthropology
Cyclops’s greatest diplomatic achievement
Silver-Age haberdashery
An innovative modification to vampire mythology
Cultural assimilation
The propaganda-and-sweater-vest machine
Hex bolts
Supplemental reading
You can find a visual companion to the episode – and links to recommended reading – on our blog.
In which we begin at the beginning: everything clicks with #3, Professor Xavier is a jerk, Magneto is a fearless fashionista, Cyclops gets a name, Jean Grey has a chronic case of the Silver Age, and allegorical diversity is not enough.
X-Plained:
Mutant genetics and taxonomy
Practical semantics of “X-Men”
Charles Xavier’s equally dubious ethics and decorating choices
Superhero couture of the Atomic Age
Why Cyclops can’t control his powers
The miracle of comic-book magnetism
A problematic analogy
X-books for beginners
Snow grenades
The word “yaybo”
The mystery of the ubiquitous plaid suit
You can find a visual companion to the episode – and links to recommended reading – on our blog.