Corsair does a lot of X-Plaining this issue. (Uncanny X-Men #154)
In Cyclops’s defense, he did, in fact, have the worst childhood ever. (Uncanny X-Men #155)
This is basically how the Shi’ar say Hello. (Uncanny X-Men #155)
Never change, Kitty Pryde. (Uncanny X-Men #155)
The lady in the fuchsia coat is hardcore judging you, Corsair. (Uncanny X-Men #155)
The Brood’s arsenal includes a super rad op-art ray. (Uncanny X-Men #155)
‘Kay, then. (Uncanny X-Men #155)
Wolveine is hella into fighting with the Brood, which is good, because he’s gonna be doing a lot of that a couple arcs from now. (Uncanny X-Men #155)
Spoiler: He’s gonna be okay. (Uncanny X-Men #155)
REMEMBER THESE BADASSES? They’re back. And we love them. (Uncanny X-Men #156)
We weren’t kidding when we said Phil and Roy were the new Harvey and Janet. (Uncanny X-Men #156)
THE STARJAMMERS ARE SO RAD THAT WE CAN ONLY TALK ABOUT THEM IN ALL CAPS. (Uncanny X-Men #156)
Hepzibah demonstrates the proper way to interrupt a dramatic moment. P.S. REMEMBER WHEN WE SAID THE STARJAMMERS ARE FUCKING DELIGHTFUL? THE STARJAMMERS ARE FUCKING DELIGHTFUL, YOU GUYS. (Uncanny X-Men #156)
The Brood are dicks, man. (Uncanny X-Men #156)
It’s okay. He’ll be back. (Uncanny X-Men #157)
Yeah, we’re not sure what’s going on in that first outfit, either. (Uncanny X-Men #157)
Uncanny X-Men #157, in which Kitty Pryde saves the world with costumes. Like, seriously.
And then, for no apparent reason, she changes into a Peter Pan outfit. You do you, Kitty. You do you. (Uncanny X-Men #157)
Meanwhile, in Avengers Annual #10, it’s raining Marvels.
Fun fact: Jessica Drew is long-time buds with the X-Men. (Avengers Annual #10)
REMEMBER HOW THAT HAPPENED AND NONE OF THE AVENGERS SAW ANY PROBLEM WITH IT? (Avengers Annual #10)
You know the runs that gymnasts do as the lead-up to really spectacular tumbling passes? This is Chris Claremont’s equivalent, only instead of doing a bunch of flips, he is going to call out some of the most bullshit writing of the previous year. (Avengers Annual #10)
STANDING. FUCKING. OVATION. That said, it’s pretty depressing that this came out in 1981 and still reads as a lot more progressive than the handling of sexual violence in a lot of current comics. (Avengers Annual #10)
The return of Dr. Peter Corbeau. (Uncanny X-Men #158)
I WONDER IF THIS WILL BECOME RELEVANT LATER. (Uncanny X-Men #158)
Senator Kelly: Still a jerk. (Uncanny X-Men #158)
“Hey, Alex, you know how all you wanted was a normal life? Yeah, I just dropped by to tell you our dad’s been alive for the last twenty years. And he’s a space pirate. And your hat looks stupid.” (Uncanny X-Men #158)
Object lesson: Everyone is Mystique. Everyone is always Mystique. (Uncanny X-Men #158)
Can we talk for a sec about Rogue’s superlative villainface game? (Uncanny X-Men #158)
In which we make our Comics Alliance debut, Cyclops makes a startling discovery, Carol Danvers joins the team (sort of), Chris Claremont calls out some bullshit, Havok still has terrible taste in hats, and Peter Corbeau gets his own theme music
Content note: In this episode, we spend a lot of time talking about a rape that occurs in a previous Avengers arc, the community and narrative response thereto, and the larger landscape and ethics of portrayals of sexual violence in superhero comics.
X-Plained
Mystique’s mercurial alliances
Rachel and Miles X-Plain the X-Men
Uncanny X-Men #154-158
Avengers Annual #10
Bollywood Starjammers
The dread Psi-Scream
Shi’ar Fashion Technology
Dr. Peter Corbeau (more) (again)
Rogue
Carol Danvers
The Whole Marcus Thing
Chris Claremont vs. rape culture
Computers
Gender politics of the Dark Phoenix Saga
Next week: Dracula!
Clarification, since we neglected to specify in the episode: Avengers #200 was written by James Shooter, George Pérez, Bob Layton, and David Michelinie; Avengers Annual #10 was written by Chris Claremont.
You can find a visual companion to the episode – and links to recommended reading – on our blog.
Since it’s already come up on Twitter, we want to take a minute to address Sunday’s announcement that writer Greg Rucka will be leaving Cyclops after issue five.
If you’ve been following this podcast–or Rachelelsewhere–for any length of time, you know that we love Greg, we love Cyclops, and we love Greg’s work on the Cyclops ongoing. We are of course sorry to see him leave–but we absolutely support his decision.
More, we are so glad to have seen one of our favorite writers (and human beings) set the tone and bar for a title that’s come to mean a lot to both of us. We’re looking forward to reading the remaining three issues of his run–and we fervently hope oncoming writer John Layman will continue in the same spirit.
We also want to take this opportunity to address something that’s likely to come up again as we delve into more series and creators come and go:
As far as we are concerned, it is never, ever cool to hassle or guilt-trip a creator for leaving a company-owned book, and–assuming they’ve not been disclosed publicly–their reasons for doing so are nobody else’s business.
Some of the discretion we choose to exercise here is a matter of professional courtesy or necessity–we’re both comics-industry professionals, and one of us is an employee at a publisher. Mostly, though, it’s a matter of basic human decency. Comics creators are people, and it’s important to us to respect their personal/professional boundaries, just as we want and expect others to respect ours. Gossip and speculation about other people’s intentions are really, really not welcome here.
Greg is a friend, so in this case it’s a little more personal than usual–but as far as we’re concerned, that’s a hard line, one we’ll be both observing in the podcast and enforcing in the comments.
TL;DR – If you want to complain about Greg Rucka leaving Cyclops or speculate about his reasons for doing so, you need to take that shit elsewhere.
When we say that Quentin Quire has the same fashion sense as Rachel, this is not what we’re talking about. (Wolverine and the X-Men #3)
Seriously. She’s never going to take it off again.
YAYBO! Thanks to your support, we’ve unlocked a bunch of very cool milestone goals on Patreon, from weekly video reviews of current X-books, to original illustrations, written posts, giant-size semiannuals, and more!
Why we can’t have nice things. (House of M #7)
As promised, from Uncanny X-Men #497.
Cyclops seems to like the premise of Schism about as much as we do.
We were going to photoshop word balloons in so Cap was yelling “What are we fighting about, again?” and Cyclops was yelling, “I have no idea!” but we ran out of time, so I guess just take that as read.
Yeah, that’ll end well, Iron Man. (Avengers vs. X-Men #5)
AND THAT’S WHY YOU ALWAYS LEAVE A NOTE! (Avengers vs. X-Men #11)
This moment has shown up in flashbacks in something like four books so far this month, so it’s probably gonna be PRETTY RELEVANT in the near future. (Avengers vs. X-Men #11)
Pretty much everything you need to know about Battle of the Atom. (Wolverine and the X-Men #37)
This was the only yearbook photo we could find with both of us in it. TRIVIA: Can you spot the other current comics-industry pro in this photo?
Aw, bros. (Wolverine and the X-Men #40)
Oh, that’ll be awkward. (Uncanny X-Men #23)
There are… kind of a lot of X-Men books currently coming out.
A reasonably comprehensive list of current X-titles.
We are 100% with Cyclops on this. (Wolverine and the X-Men #40)
Heh. (Schism #1)
Next week: Rogue! And space adventures! And Carol Danvers!
Also next week: Rachel and Miles X-Plain the X-Men on Comics Alliance! It’ll go up here, as well as iTunes and Stitcher, at the usual time, but you’ll also be able to catch new episodes every Thursday at ComicsAlliance.com!
Bonus not-at-SDCC cosplay pics: Miles as Starman…
…and Rachel as space-pirate-in-a-polo-shirt teenage Cyclops.
In which we correct a startling omission, explore the current state of the X-Universe, and speculate wildly; Quentin Quire has excellent fashion sense; Rachel gets a new accessory; Miles goes off-brand; the X-Men are somewhat complicated; Iron Man has poor decision-making skills; Charles Xavier dies for real; Beast might be a supervillain; we briefly forget Marc Guggenheim’s first name; and the future remains a relative mystery.
For purposes of continuity, it’s probably worth noting that this episode was recorded before the SDCC Marvel panel.
X-Plained:
Quentin Quire
Patreon
A startling omission from the official SDCC lineup
The current state of the X-Men
Decimation
Dark Reign
Utopia
Schism
Avengers vs. X-Men
Mutant politics
Hope Summers
The Phoenix/P.E.N.I.S. five (again)
The (real) (this time) (we think) death of Charles Xavier
Teenager hijinks
Crossover events
Battle of the Atom
Semantics of supervillainy
How Wolverine is 100% definitely going to die
Jumping-on points
Current X-books
Jubilee
You can find a visual companion to the episode – and links to recommended reading – on our blog.
Listener Josh Daniel sent us a drawing of Xavier having a J. Walter Weatherman moment (although given Xavier’s history, it’s a lesson he could probably stand to learn as well)!
Starting July 31, new episodes of Rachel and Miles X-Plain the X-Men will be available every Thursday at Comics Alliance! We’ll also continue to release them every Sunday–along with the visual companion–at our site, as well as iTunes, and Stitcher, ; but if you want to be the first kid on the block to hear ’em, head to ComicsAlliance.com on Thursdays!
Meanwhile, want to help support the podcast–and get additional content and cool swag? Please take a minute to check out our Patreon campaign! We’ve got some very cool rewards, but the best part–we think–are the Milestone goals, which are sort of like the X-Men team-up moves of Patreon: giant-size annuals, written posts, original art, a print zine, and more!
“What wardrobe?” “My point exactly.” (X-Men #148)
Lee Forrester: The Best Ever. (X-Men #148)
Good luck with that, buddy. (X-Men #148)
“No, but you’ll be a sorcerer with your own Hell dimension! Won’t that be nice?” (X-Men #148)
Hi, Siryn! (X-Men #148)
Caliban and the Morlocks: Introducing the concept of passing privilege to the mutant metaphor. (X-Men #148)
last-page-of-the-issue Magneto reveals are the gift that keeps on giving. (X-Men #148)
Professor Xavier, doing our job for us. (X-Men #149)
KITTY PRYDE, YOU ARE DELIGHTFUL. (X-Men #149)
Prydeslaught, by Logan Bonner: Professor X’s unchecked rage, plus the id of a 13-year-old Kitty Pryde. We dearly wish this were canon.
Let us never speak of this again. (X-Men #149)
Still kinda bummed we didn’t make more Ann Veal jokes about this guy. “Who?” (X-Men #149)
Even his villain speech is kinda forgettable, but we will take literally any excuse to post more pictures of Kitty’s amazing outfit, so. (X-Men #149)
We appreciate how obviously Lee is trying not to laugh in this panel. (X-Men #149)
There’s… a lot going on on that cover. (X-Men #150)
Magneto’s dastardly plan is basically peaceful nuclear disarmament. (X-Men #150)
Dr. Peter Corbeau: That one NPC your DM clearly rolled up as a PC in another campaign but never got to play so instead rolled into his campaign as an overcompetent badass. (X-Men #150)
The Voyage of the Mimi was an educational show, featuring a very young Ben Affleck and an ungodly earworm of a theme song. We both watched a lot of it in middle school science classes.
Wolverine with wet hair. You’re welcome. (X-Men #150)
“Also, man, he’s got killer abs.” (X-Men #150)
If there were an X-Men drinking game, “Dark City-style brain-ray psychic duel” would definitely be on the list. (X-Men #150)
Magneto: Now available with nuance and additional backstory! (Asteroid base sold separately.) (X-Men #150)
Having taken over Storm’s body, Emma Frost celebrates by, um, quoting King Lear. (X-Men #151)
HARVEY AND JANET, WE LOVE YOU. (X-Men #151)
This week in Scenes Only Chris Claremont Could Have Written: A giant robot busting through a ceiling and telling the shocked people inside, “Fear not! All will be revealed in due course!” (X-Men #151)
HARVEY AND JANET FOREVER! (X-Men #151)
Note the Spider-Man and His Amazing Friends ad at the top! (X-Men #152)
Wolverine has a progressive attitude about transhumanism. (X-Men #152)
Well done, Wolverine. (X-Men #152)
How X-Men #137 could net you $2500. (Thanks to Carl Horn for finding this for us!)
In which we announce exciting new developments, the ASPCA should probably have a word with Emma Frost, Kitty Pryde gets a new costume, Lee Forrester is still the best, Cyclops has an octopus on his chest, Magneto has a change of heart, and Wolverine embraces transhumanism.
X-Plained:
The Thomas Hardy novel of superhero comics
Friendship
X-Men #148-152
Unstable Denim
Disco Dinner Clubs
Caliban (a little)
Kitty Pryde’s amazing fashion sense
Garokk the Unremarkable
Atlantean couture
Why Magneto is Interesting
The Massachusetts Academy
The Persona Exchange Gun
Harvey and Janet
How to win $2500 in 1980
Editorial Outsourcing
You can find a visual companion to the episode – and links to recommended reading – on our blog.
This cover accurately reflects Rachel’s feelings about Christmas. (X-Men #143)
TAKE IT DOWN A NOTCH, WOLVEIRNE. (X-Men #143)
Lee “Better Enjoy This Arc Because She’ll Never Be Written Very Well Again” Forrester. (X-Men #143)
“Not an Alien homage!” (X-Men #143)
The fact that he straight-up cheats at pool is a pretty legit charming Cyclops detail. (X-Men #144)
X-Men #144 is, structurally and thematically, a Creepy story. Still can’t believe this was CCA-compliant.
Outside of a few moments of the Dark Phoenix Saga, there’s probably no scene in X-Men that’s been redrawn as much as this one (but never retconned). (X-Men #144)
[Insert joke about Man-Thing and erections here.] (X-Men #144)
Aw. (X-Men #144)
Rachel and Doctor Doom are bros.
“This is why we can’t have nice things or tenure-track positions.” (X-Men #145)
AHAHAHAHWHAT (X-Men #145)
Toadworld. Think about that for a minute. (X-Men #145)
And thus began a long tradition of supervillains falling for Storm. (X-Men #145)
Well, that’ll end well. (X-Men #145)
Arcade! (X-Men #146)
Doom and Arcade have some fundamental differences over the proper execution of deathtraps. (X-Men #146)
Angel, you had ONE JOB. (X-Men #146)
Storm’s secondary mutation is weaponized claustrophobia. (X-Men #146)
Seriously. Don’t piss off Storm. (X-Men #146)
Fuckin’ Murderworld, man. (X-Men #146)
She is, of course, a robot, because if there’s anything Arcade and Doom can bond over, it’s their mutual love of making robot duplicates of EVERYONE THEY HAVE EVER MET. (X-Men #146)
But not that Rogue. (X-Men #147)
Recap! (X-Men #147)
You can tell it’s bad news because she’s got special balloon borders. (X-Men #147)
Aw. (X-Men #147)
I like to imagine that both of them have, in fact, had worse first dates. (X-Men #147)