Art by David Wynne. Prints and cards available until 4/5/2015 in the shop, or contact David for the original.
Professor Xavier reacts to the Xorn retcons. (Uncanny X-Men #196)
Someone really needs to make a gif out of those three panels on the left. (Uncanny X-Men #196)
Not satisfied with his own series, the Beyonder derails someone else’s. (Uncanny X-Men #196)
This is so ridiculously rude. I mean, what if Father Bowen had been asleep, or naked, or talking to a parishioner, or something? “SURPRISE!” (Uncanny X-Men #196)
Kurt Wagner echoes some common criticisms of Secret Wars. (Uncanny X-Men #196)
Awkward. (Uncanny X-Men #196)
KITTY’S FACE. (Uncanny X-Men #196)
Given the parallels between Rachel Summers and Magneto’s backgrounds, it would have been really cool to see this relationship developed further. (Uncanny X-Men #196)
So doomed. (Uncanny X-Men #197)
Aw, these kids. (Uncanny X-Men #197)
Oh, hi, Phoenix II! (Uncanny X-Men #199)
While we’re on the subject: Check out Allie Kleber’s gorgeous design for a ballgown version of Rachel’s first Phoenix costume!
You can almost hear the slash fiction springing into being. (Uncanny X-Men #199)
We’d make “Rachel and Scott Summers pointedly fail to communicate” a drink cue, but no one’s liver deserves that. (Uncanny X-Men #199)
It is super weird how much Val Cooper looks like Tiffani-Amber Thiessen, given that Thiessen would have been eleven years old when this comic came out. Photo-reference of future past? (Uncanny X-Men #199)
“We’ll start by attacking a dude at a Holocaust memorial. It’ll be great practice for your PR team!” (Uncanny X-Men #199)
Rachel Summers was totally the best Phoenix. (Uncanny X-Men #199)
Magneto is a morally complex individual with really excellent hair. (Uncanny X-Men #199)
No matter how much you love your job, you will never love it as much as Mystique loves hers. (Uncanny X-Men #199)
Magneto’s speech here is important, but what you’re really looking at here is his well-tailored suit. You’d expect him to show up to his trial in something like this, right? (Uncanny X-Men #199)
NOPE. Why wear a conservative suit to your trial when you could wear opera gloves and a sleeveless unitard with an M pointing directly to your crotch? (Uncanny X-Men #200)
Neal Conan x-plains Magneto. (Uncanny X-Men #200)
“The counsels for the prosecution and defense have been selected based on the quality of their Joan Rivers impressions.” (Uncanny X-Men #200)
Oh, these assholes. (Uncanny X-Men #200)
So, basically, it’s Tuesday. Also: best editor’s note ever? Best editor’s note ever. (Uncanny X-Men #200)
I don’t think we talked about it in the episode, but this issue has the best damn sound effects. Seriously, I’m just gonna post a bunch of these, because they are great, and the lettering is aces. (Uncanny X-Men #200)
VYANNG! KRAKOOM! (Uncanny X-Men #200)
SKBOOM! (Uncanny X-Men #200)
RKOW! (Uncanny X-Men #200)
KTHAM! (Uncanny X-Men #200)
ZARK! TUNCH! BDAM! THIS LETTERING, Y’ALL. (Uncanny X-Men #200)
Let’s all take a moment to appreciate Kitty’s hella sweet outfit. (Uncanny X-Men #200)
You’re not wrong, Madelyne. (Uncanny X-Men #200)
There’s something intrinsically hilarious about Starjammers fly-bys. (Uncanny X-Men #200)
KITTY, FOCUS ON THE PROBLEM AT… oh. Sorry. That was in poor taste. (Uncanny X-Men #200)
Pretty sure that last speech balloon was supposed to be Kitty’s, not Scott’s. (Uncanny X-Men #200)
MAGNETO MADE SOME VALID POINTS. (Uncanny X-Men #200)
Agh, god, Tom Orzechowski’s sound effects are SO GOOD. (Uncanny X-Men #200)
Sir James Jaspers: total dick. (Uncanny X-Men #200)
CANON: This lady’s name is Judge Kickass. (Uncanny X-Men #200)
NEXT WEEK: ECCC special, featuring Kris Anka, Marguerite Bennett, Kieron Gillen, and Peter Nguyen! (No idea why this photo is showing up upside down, but it looks kind of rad, so we’re just gonna run with it.)
LINKS AND FURTHER READING:
We covered Uncanny X-Men #196 in Episode 38, and Uncanny X-Men #198 in Episode 45.
NPR reporter Neal Conan is a 100% real dude! For an extra meta moment, you can listen to him interview Stan Lee over here.
In which Magneto makes an official alignment shift; Claremont does a court drama; Professor Xavier makes poor choices; Rachel Summers comes by her communication skills honest; the Strucker kids are the evil Wonder Twins; and the podcast hits a major milestone!
X-PLAINED:
Xorn
Uncanny X-Men #196, 199, and 200
The X-Men status quo circa 1985
Magneto’s alignment shift
Beyonder-related existential crises
A hypothetical murder mystery
Minor vandalism as a harbinger of dark futures
Psi-scream
Brood classified ads
A thematic parallel
The tipping point in Scott and Madelyne’s relationship
The new, improved Magneto
The Professor Who Cried Wolf
Phoenix II
Earth-811/Earth-616 disambiguation
Freedom Force
The Trial of Magneto
NPR-616
James Jaspers
The best editor’s note
The mystery of Magneto’s age
Andrea & Andreas Strucker
What not to wear to court
A super icky sword
Phoenix morality
Sponsorship & conflict of interest
NEXT WEEK: Emerald City Comicon special with Kris Anka, Marguerite Bennett, Kieron Gillen, and Peter Nguyen!
You can find a visual companion to this episode on our blog!
In which Magneto remains magnificent, Cyclops pretty much ends, some very important canon is confirmed, and we can’t believe we’ve done THIRTY of these.
REVIEWED:
All-New X-Men #39 (0:58)
Guardians Team-Up #3 (2:25)
*Magneto #16 (4:21)
Wolverines #11 (7:01)
Cyclops #11 (9:03)
Storm #9 (11:04)
*Pick of the Week (13:23)
These video reviews are made possible by the support of our Patreon subscribers. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!
Art by David Wynne. Prints and cards available until 3/22/2015 in the shop, or contact David for the original.
X-Men! (X-Men Annual #9)
New Mutants! (X-Men Annual #9)
Check out the gorgeous John R. Neill homage going on in that title card. (New Mutants Special Edition #1)
Karma, transformed. Adams draws her very differently–both more realistically and more recognizably–than Sienkiewicz or Leialoha; and it would be awesome to see a superhero with this as their default shape. (New Mutants Special Edition #1)
Marvel Asgard is basically the land of metal album covers. (New Mutants Special Edition #1)
Aw, Doug. No one appreciates you. (New Mutants Special Edition #1)
Asgardian Wars is chock full of pop-culture cameos and references. (New Mutants Special Edition #1)
GET IT? Not if you weren’t reading Longshot as it was coming out! (New Mutants Special Edition #1)
Warlock in a nutshell. (New Mutants Special Edition #1)
Bobby has found his element. (New Mutants Special Edition #1)
AMARA, WHAT IS THE FIRST RULE OF DEALING WITH FAIRIES? (New Mutants Special Edition #1)
The hands-down most awesome variation on the Darkchylde design. If only this had stuck around. (New Mutants Special Edition #1)
No, seriously, Shan is literally on Arrakis. (New Mutants Special Edition #1)
THE WARRIORS THREE ARE THE BEST AND ANYONE WHO TELLS YOU OTHERWISE IS FULL OF WRONG. (New Mutants Special Edition #1)
Fire-elf Magma. (New Mutants Special Edition #1)
Throughout the nine realms, skalds sing of the masterwork fire extinguishers of Nidavellir. (New Mutants Special Edition #1)
The Dani-becomes-a-Valkyrie arc reminds me of the thing where literally everyone else realizes you’re queer before you do. (New Mutants Special Edition #1)
Another Darkchylde panel, because this costume is just so damn good. (New Mutants Special Edition #1)
IT’S STORM AND SHE’S A HAWK AND SHE HAS A TEENY MOHAWK. That’s all. Carry on with your business. (New Mutants Special Edition #1)
Those title cards, though. (X-Men Annual #9)
What, don’t you have a psychic link with your “roommate”? (X-Men Annual #9)
‘Kay. (X-Men Annual #9)
TOO SOON, RACHEL. TOO SOON. (X-Men Annual #9)
Because I was raised by bleeding-heart feminists in the ’80s, I now have “Free to Be… You and Me” stuck in my head. THANKS, CLAREMONT. (X-Men Annual #9)
Aw, man. (X-Men Annual #9)
I want to see a “What If” splinter story where Sam is an epic hero and also basically Carrot from Discworld. I mean, there kind of is one–“What if the New Mutants Had Stayed in Asgard”–but still. MORE. (X-Men Annual #9)
DANI LITERALLY NO ONE IN THIS ROOM HAS PHYSICAL POWERS. (X-Men Annual #9)
Art Adams draws awesome Warlock. (X-Men Annual #9)
WOLF MAKEOUTS! (X-Men Annual #9)
Subtext: Not just for the ladies! (X-Men Annual #9)
This isn’t directly relevant to the episode. It’s just awesome. (X-Men Annual #9)
NOW LET’S GO DEFEAT THE FRENCH! (X-Men Annual #9)
It’s no KRAKADOOM, but I guess it’ll do. (X-Men Annual #9)
Dani is THE BEST VALKYRIE. (X-Men Annual #9)
“Well, at least I have this 1/6-scale statuette to keep me company.” (X-Men Annual #9)
NEXT WEEK: Rachel and Miles get lucky.
LINKS AND FURTHER READING:
The Mighty Thor #362 is one of the best issues of one of the best runs in Marvel history.
For craft wonks, we recommend the hell out of the Thor Artist’s Edition, if you can get your hands on a copy.
Actually, you know what? Just go read the whole Simonson run, right now. It’s collected and available in a bunch of forms. You won’t regret it. we promise.
Once you’re done reading Thor, go watch Leverage, because it is wonderful.
In which Asgardian Wars occupies the precise intersection of Miles’s favorite things; Marvel Asgard is your favorite metal album; no one appreciates Cypher; Wolfsbane gets some action; Warlock gets meta; Cannonball is a catch; Rachel Summers gets a new costume; Loki does Shakespeare; and Rachel overthinks Leverage.
X-PLAINED:
Various Mjolnirs and their attendant powers
Asgardian Wars
New Mutants Special Edition #1
X-Men Annual #9
The Surtwar
Art Adams
Amora the Enchantress
Lorelei
Several pop culture cameos
A really dubious beach party
The Viking Sorceress Asgardian Portrait of Dorian Grey
Ed Grimley
Hrimhari
Wolf makeouts
The Marvel version of Norse mythology
The Warriors Three
Rule #1 of dealing with fairies
A hawk ‘hawk
Valkyries
Einherjar
A costume in somewhat questionable taste
Interdimensional lightning-bolt mixology
Our favorite Thor story, ever
How to get your friends and neighbors into comics
Asgardian mutants (or lack thereof)
X-Leverage cross-casting
NEXT WEEK: Longshot!
You can find a visual companion to this episode on our blog!
Evolution Rogue is awesome. She’s one of the characters who fares best in reimagining–as I wrote about Cyclops in S1E1, Rogue is very recognizably written in the spirit of some of the best previous versions of the character, with the letter flexible enough to let her develop organically in her new context and setting.
So it should be no surprise when I tell you that a lot of the best stuff in the generally pretty shaky and uneven Season One centers around Rogue. And that, my friends, begins here. Lace up your best New Rocks, dig up some black lipstick (or steal your friend’s eyeliner crayon and be careful not to lick your lips), and get ready to rumble.
Art by David Wynne. Prints and cards available until 3/15/2015 in the shop, or contact David for the original.
“Is this foreshadowing?”
“Nah. Just a book recommendation.”
“Because it really sounds like foreshadowing, Sam.”
“Former X-Man, huh?”
(X-Men/Alpha Flight vol. 1, #1)
Well, that escalated quickly. (X-Men/Alpha Flight vol. 1, #1)
Someone needs to sit Rachel Summers down for a long and serious conversation about proportional force. (X-Men/Alpha Flight vol. 1, #1)
WHOOPS. (X-Men/Alpha Flight vol. 1, #1)
“HOW MANY TIMES DO I HAVE TO TELL YOU: DO AS I SAY, NOT AS I DO!” (X-Men/Alpha Flight vol. 1, #1)
Those That Sit Above In Shadow. (X-Men/Alpha Flight vol. 1, #1)
Seriously, though, don’t do that shit. (X-Men/Alpha Flight vol. 1, #1)
“Think there’s a twist? “Nah.” (X-Men/Alpha Flight vol. 1, #1)
A) Scott looks like a doof without his glasses. B) I wonder if Marvel got a lot of pissed off letters about his eyes changing color in this issue. (X-Men/Alpha Flight vol. 1, #1)
“We all got superpowers, but the important part is the AMAZING OUTFITS.” (X-Men/Alpha Flight vol. 1, #1)
WELL THAT COULD BE LESS AWKWARD. (X-Men/Alpha Flight vol. 1, #1)
SUPER not cool, Xavier. Also: Remember when Scott’s eyes were blue like five pages ago? ‘CAUSE THE COLORIST DOESN’T! *rimshot* (X-Men/Alpha Flight vol. 1, #1)
I know they all gave the powers back at the end, but I really don’t see why Heather couldn’t have remade this outfit and then worn it ALL THE TIME, because it is awesome. (X-Men/Alpha Flight vol. 1, #1)
THAT CAT, THOUGH. (X-Men/Alpha Flight vol. 1, #2)
Aw, Snowbird. (X-Men/Alpha Flight vol. 1, #2)
There have been near-infinite variations on this gag, and they’re never not great. (X-Men/Alpha Flight vol. 1, #2)
Aw, Jean-Paul. Your team is kind of awful. I mean, so are you, but still. (X-Men/Alpha Flight vol. 1, #2)
COLD, Wolverine. (X-Men/Alpha Flight vol. 1, #2)
Well, shit. (X-Men/Alpha Flight vol. 1, #2)
OH, THAT EXPLAINS SOME THINGS. (X-Men/Alpha Flight vol. 1, #2)
This is about as close as the Summers family ever seems to come to healthy communication, so enjoy it while it lasts. (X-Men/Alpha Flight vol. 1, #2)
I don’t care if they’re not costumes. DRINK ANYWAY. (X-Men/Alpha Flight vol. 2, #1)
Throughout this story, Nightcrawler seems to be in a different genre than the rest of the cast. (X-Men/Alpha Flight vol. 2, #1)
Can’t you just picture John Cassady physically crossing this spread off his bucket list? (X-Men/Alpha Flight vol. 2, #2)
Also this panel. (X-Men/Alpha Flight vol. 2, #2)
Alberta, in case you were wondering–just a little south of Calgary. (X-Men/Alpha Flight vol. 2, #2)
NEXT WEEK: Asgardian Wars!
Many thanks to Emergency Backup Co-Host and Alpha Flight X-Pert (is there an Alpha-Flight-appropriate portmanteau for that?) Elisabeth Allie! Go check out Elisabeth’s blog, and follower her on Twitter!
In which Emergency Backup Co-Host Elisabeth Allie saves the day; the Berserkers are not the breakout hit you’ve been waiting for; Paul Smith continues to be awesome; nothing good ever happens in the Danger Room; Charles Xavier dabbles in cosplay; Nightcrawler has serious hat game; Rachel Summers lacks healthy coping skills; your life would be way more epic if Claremont narrated it; Northstar is a surprisingly good prom date; Loki is a total dick; and Longshot is totally Miles’s favorite.
X-PLAINED:
Madelyne Pryor
X-Men/Alpha Flight vols. 1&2
The Berserkers
An unconventional model of family therapy
Aggressive foreshadowing
NPC dialogue
Jazzercise superheroes
Superhero color theory
Sasquatch
Aurora
Those Who Sit Above in Shadow
Norse fashion of the ‘80s
Very specific superpowers
Some sweet boots
The price of power
A deus ex machina squared
Kitty and Piotr’s first date
Snowbird’s powers
Miles’s favorite X-Man
NEXT WEEK: Asgardian Wars!
You can find a visual companion to this episode on our blog!
You know how I said that X-Men: Evolution is really entertaining even when it’s really, really bad? This week, we’re gonna put that to the test. Prepare for more rock puns than you have ever heard in a single 22-minute stretch. Also, Transformers. Kinda.
In other news, I still have no idea what the titles refer to.
BUT FIRST, A PRETEND HORROR MOVIE!
We open with the Pryde home, in a fictional town in Illinois. The town has a name, but I don’t care what it is, and it’s never going to be relevant again, so I’m just gonna call it Fake Deerfield. Cool? Cool.
Kitty dreams that she’s falling, and–spoiler–she actually falls through her bed and floor and lands in the basement. She wakes up screaming, and her parents rush down to comfort her. They think she was sleepwalking–until they look up and a PORTENTOUS FLASH OF LIGHTNING illuminates her blanket, embedded in the basement ceiling.
OH MY GOD! THAT’S–actually, wait, that’s not scary at all.
Okay, look, I get what they were shooting for here, but you know who has the least horror-movie powers of just about all the X-Men? Hint: It’s definitely Kitty, barring the stories where phased becomes her default state (which this isn’t). Framing this scene and the Prydes’ cheerfully generic suburban house like a horror movie reminds me of one of those recut trailers where you try to make a movie look like a genre it obviously isn’t; or a kid telling a shaggy-dog joke and then waiting for you to be overjoyed at the lack of punchline; or the entire movie White Noise.1 It’s all buildup, with no proportionate payoff.
Meanwhile, back at Stately Xavier Manor, Kitty’s late-night spill pings Cerebro. Does anyone else find it unsettling that Professor X has a psychic supercomputer that provides him with turnaroundfull body scans of teenagers?
Also, Cerebro accurately predicts the outfit that Kitty is going to wear to school the next day.2
“What am I?” wails Kitty. “What’s happening to me?” Just give it five seconds, kid–the credits montage identifies you quite clearly as Shadowcat.
I was a little too old to catch X-Men: Evolution the first time around. It debuted my freshman year of college, corresponding with the peak of my nerd pretension—that larval-geek phase where you insist on calling all comics graphic novels—and like the arch little fucker I was, I dismissed it sight-unseen as X-Men dumbed down.
A few years ago, I finally sat down and watched my way through X-Men: Evolution and came away with two conclusions: teenage Rachel was kind of a dolt; and X-Men: Evolution is delightful.
Not only is Evolution not X-Men dumbed down, it’s a really clever, appealing reinvention. In fact, Evolution accomplishes what the Ultimate universe never quite could: shaking off years of continuity and attracting an entirely new audience with a distilled version of one of Marvel’s most convoluted lines.
If you’re not familiar with X-Men: Evolution, the premise is roughly thus: The Xavier Institute is an extracurricular boarding school of sorts, whose students are mainstreamed into their district school—Bayville High—for academics. Some of the characters—Storm, Wolverine, and Professor Xavier on the side of the angels; Mystique, Magneto, and a few others on the other end of the moral spectrum—stay adults; everyone else is aged down to teenagers. Evolution draws characters and some story hooks from the comics, but for the most part, it occupies its own discrete continuity.
And as continuities go, it’s a good one. It’s clever and fun, it’s got a ton of heart, and it stays true to the core themes and characters of the source material without becoming overly beholden to the letter of the text. By the end, it’ll become a really, really good show; but even when it’s bad, X-Men: Evolution is bad in really entertaining ways.
Which is important, because X-Men: Evolution gets off to a pretty rocky start.