Jay & Miles X-Plain the X-Men

March 2015 T-Shirt of the Month: What’s New Shadowcat?

Saving the world is all well and good, but Kitty Pryde knows what superheroism is REALLY about: the costumes!

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What's New Shadowcat

This month, we’re celebrating Kitty’s myriad and multiversal superthreads with David Wynne’s fantastic homage to the classic Frazetta What’s New Pussycat? poster, featuring a whopping seven of Kitty’s signature looks over the years. For bonus mileage, go meta and incorporate it into your own superhero costume—or use the matching mugs to get you through the Kitty’s Costumes drinking game next time you marathon the Rachel and Miles X-Plain the X-Men archives!

What’s New Shadowcat? shirts will be available until April 1, then disappear forever (mugs, tote bags, and/or throw pillows may persevere longer). David also has the original art for sale over here!

Miles Reviews the X-Men, Episode 27

Week of February 25, 2015.

In which Miles once again holds down the fort, and Rachel is too tired to come up with more engaging copy than this.

Reviewed:

  • All-New X-Men #38 (00:19)
  • Spider-Man and the X-Men #3 (1:46)
  • Amazing X-Men #17 (3:08)
  • Wolverines #8 (4:29)
  • Uncanny Avengers #2 (6:15)

Pick of the Week: Avengers World #17; which is neither technically an X-book nor of this week, but is good enough that we don’t care. (8:19)


RACHEL ADDS:

I kind of love Miles’s vague implication that I’m cooling my heels in Mexico until things blow over.

Here are my very short and sleep-deprived addenda to the reviews:

All-New X-Men #38
Often, “very Bendis” is a compliment. This is not one of those times: the cleverness comes at the expense of characters’ voices. Not exactly bad, but frustrating. I’m pretty damn excited about Teen Space Pirate Cyclops to the rescue, though; and the fact that that probably means a more organic end to the Cyclops ongoing than the abrupt cancellation I was sort of expecting.

Spider-Man and the X-Men #3
This is the ideal use of this team, and I feel really good about it and also about Ernst busting down walls. The first few issues were fun but kind of flailing; here, it feels like the book is really finding its voice and catching its stride.

Amazing X-Men #17
Too busy cracking up at the return of one of my favorite dumb Silver-Age villains to objectively review this.

Wolverines #8
Um, actually, Miles, both Fang’s debut and the incident in which Wolverine stole his costume took place during the M’Kraan Crystal storyline, not the Dark Phoenix Saga.

That said, there is literally nothing about this issue that I did not enjoy immensely. Also, I really hope that Fang and Volstagg turn out to be buddies, because they obviously should be.

Uncanny Avengers #2
Meh. I’m having trouble caring about this storyline. I recognize that Acuña is objectively good at what he does, but at the same time, his art completely fails to hold my attention, which sort of sums up my feelings on this series in general.

-Rachel, who is not actually on the lam in Mexico; although she has learned a lot over the last few days about the laws and logistics concerning international transport of human remains.


These video reviews are made possible by the support of our Patreon subscribers. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!

Rachel Recaps X-Men: Evolution
S1E2: The X Impulse

You know how I said that X-Men: Evolution is really entertaining even when it’s really, really bad? This week, we’re gonna put that to the test. Prepare for more rock puns than you have ever heard in a single 22-minute stretch. Also, Transformers. Kinda.

In other news, I still have no idea what the titles refer to.

BUT FIRST, A PRETEND HORROR MOVIE!

We open with the Pryde home, in a fictional town in Illinois. The town has a name, but I don’t care what it is, and it’s never going to be relevant again, so I’m just gonna call it Fake Deerfield. Cool? Cool.

OH, MY GOD, IT'S CINEMATOGRAPHY!
OH, MY GOD, IT’S GRATUITOUS LIGHTNING!

Kitty dreams that she’s falling, and–spoiler–she actually falls through her bed and floor and lands in the basement. She wakes up screaming, and her parents rush down to comfort her. They think she was sleepwalking–until they look up and a PORTENTOUS FLASH OF LIGHTNING illuminates her blanket, embedded in the basement ceiling.

OH MY GOD! THAT’S–actually, wait, that’s not scary at all.

Okay, look, I get what they were shooting for here, but you know who has the least horror-movie powers of just about all the X-Men? Hint: It’s definitely Kitty, barring the stories where phased becomes her default state (which this isn’t). Framing this scene and the Prydes’ cheerfully generic suburban house like a horror movie reminds me of one of those recut trailers where you try to make a movie look like a genre it obviously isn’t; or a kid telling a shaggy-dog joke and then waiting for you to be overjoyed at the lack of punchline; or the entire movie White Noise.1 It’s all buildup, with no proportionate payoff.

NOPE!
Ew, Cerebro, no. Don’t do that.

Meanwhile, back at Stately Xavier Manor, Kitty’s late-night spill pings Cerebro. Does anyone else find it unsettling that Professor X has a psychic supercomputer that provides him with turnaround full body scans of teenagers?

Also, Cerebro accurately predicts the outfit that Kitty is going to wear to school the next day.2

“What am I?” wails Kitty. “What’s happening to me?” Just give it five seconds, kid–the credits montage identifies you quite clearly as Shadowcat.

Continue reading

As Mentioned in Episode 45 – A Woman Who Could Fly

Listen to the episode here!


 


Links and Further Reading:

Rachel and Miles Review the X-Men – Episode 26

Week of February 18, 2015

In which we spoil the hell out of Uncanny X-Men #31, Rachel has Mystique feelings, and Kris Anka draws the best bitchface ever forever.

Reviewed:

  • *Uncanny X-Men #31 (1:00)
  • Legendary Star-Lord #9 (5:08)
  • Storm #8 (6:23)
  • Wolverines #7 (8:45)
  • Magneto #15 (10:56)

*Pick of the week (13:02)


These video reviews are made possible by the support of our Patreon subscribers. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!

Rachel Recaps X-Men: Evolution
S1E1: Strategy X

I was a little too old to catch X-Men: Evolution the first time around. It debuted my freshman year of college, corresponding with the peak of my nerd pretension—that larval-geek phase where you insist on calling all comics graphic novels—and like the arch little fucker I was, I dismissed it sight-unseen as X-Men dumbed down.

A few years ago, I finally sat down and watched my way through X-Men: Evolution and came away with two conclusions: teenage Rachel was kind of a dolt; and X-Men: Evolution is delightful.

Not only is Evolution not X-Men dumbed down, it’s a really clever, appealing reinvention. In fact, Evolution accomplishes what the Ultimate universe never quite could: shaking off years of continuity and attracting an entirely new audience with a distilled version of one of Marvel’s most convoluted lines.

groupshotIf you’re not familiar with X-Men: Evolution, the premise is roughly thus: The Xavier Institute is an extracurricular boarding school of sorts, whose students are mainstreamed into their district school—Bayville High—for academics. Some of the characters—Storm, Wolverine, and Professor Xavier on the side of the angels; Mystique, Magneto, and a few others on the other end of the moral spectrum—stay adults; everyone else is aged down to teenagers. Evolution draws characters and some story hooks from the comics, but for the most part, it occupies its own discrete continuity.

And as continuities go, it’s a good one. It’s clever and fun, it’s got a ton of heart, and it stays true to the core themes and characters of the source material without becoming overly beholden to the letter of the text. By the end, it’ll become a really, really good show; but even when it’s bad, X-Men: Evolution is bad in really entertaining ways.

Which is important, because X-Men: Evolution gets off to a pretty rocky start.

Continue reading

As Mentioned in Episode 44 – Assembling Legion, with Si Spurrier

Listen to the episode here!



LINKS AND FURTHER READING:

 

 

 

Miles Reviews the X-Men, Episode 25

Week of February 11, 2015.

In which Rachel is out sick, Miles perseveres in the face of adversity, and X-Force goes out with a bang.

Reviewed:

  • Guardians of the Galaxy #24 (0:37)
  • X-Men #24 (2:01)
  • Nightcrawler #11 (3:58)
  • All-New X-Men #36 (5:35)
  • Cyclops #10 (7:07)
  • Wolverines #6 (8:35)
  • *X-Force #15 (9:39)

*Pick of the week (11:24)


These video reviews are made possible by the support of our Patreon subscribers. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!

The Secret of Stewart Cadwall, by Douglas Wolk

In Episode 43, we talked at some length about Stewart Cadwall, the Steve Gerber caricature from Secret Wars II. As a follow-up, it’s our great pleasure to welcome Douglas Wolk for an extended look at the real-life context around the character. -R


As Episode 43 mentions, Stewart Cadwall–the whiny ex-comics-writer-gone-Hollywood who comes in for special opprobrium in Secret Wars II #1–is very clearly based on the late Steve Gerber. A little historical background is probably useful here. Gerber and artist Val Mayerik created Howard the Duck in 1973 (he first appeared in a Man-Thing story in Adventure Into Fear #19). Within a few years, Howard had become a pop-culture mini-phenomenon, getting his own comic book series and, in 1977, a daily newspaper strip. Gerber never actually won the Shazam Award that Cadwall brandishes (those were presented by the Academy of Comic Book Arts between 1971 and 1975), although he did win an Inkpot Award in 1978.

Marvel fired Gerber from both the Howard comic book and the daily strip in 1978; this article and its supporting documents go into extensive detail on that period. Subsequent Howard stories were written by Bill Mantlo, Marv Wolfman and a few other people, while Gerber went on to create the animated series Thundarr the Barbarian (of which Secret Wars II‘s Thundersword is a parody).

In 1980, Gerber wrote a graphic novel called Stewart the Rat, starring a Howard-esque character, drawn by former Howard artist Gene Colan and Tom Palmer (with permission from Marvel!), and published by Eclipse. The same year, he filed a suit against Marvel over the rights to Howard; the short-lived Destroyer Duck series, initially written by Gerber and drawn by Jack Kirby, was put together to raise funds for Gerber’s legal bills. By the end of 1982, though, Gerber and Marvel settled the case.

When Gerber returned to writing for Marvel a couple of years later, it was for a 1983 graphic novel and (what was to be a) six-issue 1984 miniseries published by Marvel’s adult-readers imprint Epic, Void Indigo, with Mayerik once again drawing. Void Indigo, set in L.A., was more or less the kind of “blatant gore” that the Stewart Cadwall character talks about; it was axed after two issues of the miniseries were published.

Secret Wars II #1, written by Jim Shooter, who’d become Marvel’s editor-in-chief in 1978, was published in March, 1985. (Shooter has noted that Stewart Cadwall’s last name was originally going to be Gadwall, as in the duck, and claimed that “Steve loved it. He even sent me a rave fan letter.”) Relations between Gerber and Marvel had by this point thawed to the point that Shooter asked Gerber to write a new Howard the Duck story in advance of the Howard movie that was then in the works–a planned two-parter called “Howard the Duck’s Secret Crisis II.” The script for the first issue appears here. It’s a very direct parody of Secret Wars II, involving the Brotherhood of Evil Prepositions: the Arounder, the Withiner, the Amonger, the Underneather, the Betweener, and Of.

Shooter admired it: he later called it “fitting, perfect revenge for Secret Wars II #1.” But he wanted to change the part of the script where Gerber savaged the Howard stories he hadn’t written. They couldn’t come to an agreement on it, and the new Gerber story was never drawn. The next Howard the Duck comic to be published, #32 (which appeared with a January 1986 cover date), had been written by Steven Grant, apparently several years earlier.

Gerber didn’t write anything else for Marvel until 1988, after Shooter had been fired as editor-in-chief. He eventually wrote a few more Howard the Duck stories, including an issue of Spider-Man Team-Up that unofficially crossed over with a Savage Dragon/Destroyer Duck one-shot (here’s Tom Brevoort’s commentary on it and Gerber’s response), and a Marvel MAX miniseries in which Howard became a mouse.


340x340ddwDouglas Wolk writes about comics and music for a bunch of places, and recently wrote Judge Dredd: Mega-City Two.  His favorite mutant is Martha Johansson. He lives in Portland, Oregon.