Jay & Miles X-Plain the X-Men

Category: As Mentioned

As Mentioned in Episode 114 – Meltdown

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Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
Welcome to your new favorite miniseries. (Havok & Wolverine: Meltdown #1)
The first 14 pages are a primer on reactor physics and the Chernobyl disaster. (Havok & Wolverine: Meltdown #1)
Also some vaguely sinister chess-playing. (Havok & Wolverine: Meltdown #1)
No, seriously: that’s just straight-up James Dean. (Havok & Wolverine: Meltdown #1)
If you’re not sold on the book by now, please reconsider your priorities. (Havok & Wolverine: Meltdown #1)
Move over, Neal Adams. This is our definitive representation of Havok’s powers. (Havok & Wolverine: Meltdown #1)
Kent Williams is terrifying and wonderful. (Havok & Wolverine: Meltdown #1)
Why, yes, we are going to include every cover. Why? (Havok & Wolverine: Meltdown #2)
Look at how much information this panel conveys. (Havok & Wolverine: Meltdown #2)
General Meltdown! (Havok & Wolverine: Meltdown #2)
Wait for it… (Havok & Wolverine: Meltdown #2)
…and done. (Havok & Wolverine: Meltdown #2)
Havok latches onto genre conventions like a baby duck impressing on the first thing it sees. (Havok & Wolverine: Meltdown #2)
It was really, really hard not to just include the whole damn miniseries in this visual companion. (Havok & Wolverine: Meltdown #2)
(Havok & Wolverine: Meltdown #3)
Well, then. (Havok & Wolverine: Meltdown #3)
I cannot get over the way Muth paints Scarlett’s hair. (Havok & Wolverine: Meltdown #3)
One of my favorite sequences from the entire series. (Havok & Wolverine: Meltdown #3)
Dr. Meltdown and his trusty overlays. (Havok & Wolverine: Meltdown #3)
Best image of Havok, or best image of Havok? Hint: Best image of Havok. (Havok & Wolverine: Meltdown #3)
The palpable violence of the action sequences is really, really spectacular. (Havok & Wolverine: Meltdown #3)
And onward. (Havok & Wolverine: Meltdown #4)
In which Havok transforms from James Dean to a young Peter Capaldi. (Havok & Wolverine: Meltdown #4)
THIS PAGE (Havok & Wolverine: Meltdown #4)
So, so doomed. (Havok & Wolverine: Meltdown #4)
No narrative reason for including this. I just really, really love the art. (Havok & Wolverine: Meltdown #4)
The problem with falling too deeply into a character is that you also end up with their genre-specific weaknesses. (Havok & Wolverine: Meltdown #4)
Ouch. (Havok & Wolverine: Meltdown #4)
Well, that’s one way to do it. (Havok & Wolverine: Meltdown #4)
The way Havok’s powers change when they go out of control is really, really amazing. (Havok & Wolverine: Meltdown #4)
No, seriously. (Havok & Wolverine: Meltdown #4)
HOW COULD NO ONE HAVE REACHED BACK TO THIS SERIES? IT’S A GOLDMINE. (Havok & Wolverine: Meltdown #4)
NEXT EPISODE: The X-Men Anime.

As Mentioned in Episode 113 – Play It Again, Patch

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NOTE: Normally the visual companion is annotated; but frankly, I don’t have it in me to be witty about Wolverine today. Sorry. -Jay

Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
Wolverine #1
Wolverine #2
Wolverine #2
Wolverine #2
Wolverine #2
Wolverine #3
Wolverine #3
Wolverine #3
Wolverine #3
Wolverine #4
Wolverine #4
Wolverine #6
Wolverine #8
Wolverine #10
NEXT EPISODE: Havok & Wolverine: Meltdown

As Mentioned in Episode 112 – Embers of Inferno (feat. Sam Humphries)

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Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
“So, y’know–business as usual.” (Amazing Spider-Man #313)
The Ghostbusters references just keep coming! (Amazing Spider-Man #313)
HE’S NOT WRONG. (Peter Parker: The Spectacular Spider-Man #146)
This is in fact literally what it is like to work in publishing, all the time. (Peter Parker: The Spectacular Spider-Man #147)
CAN WE TALK ABOUT HOW JARVIS’S MOM IS A HUGE WRESTLING AFICIONADO? (Avengers #298)
Well, then. (Avengers #298)
He does this every time he fights a possessed machine. (Avengers #298)
No, seriously. Every time. (Avengers #299)
Stories involving Nanny and the Orphanmaker are never not super sad and messed up. (Avengers #299)
That one time the Avengers got back together in a tie-in to someone else’s crossover event. (Avengers #300)
Never leave your house. Seriously. (Power Pack #42)
Actually, no. Your house isn’t safe, either. (Power Pack #42)
And then a group of young children looked back nostalgically at the time they fought Sabretooth in a sewer. (Power Pack #44)
Aw. (Power Pack #44)
LIES. (The Mutant Misadventures of Cloak and Dagger #4)
For full effect, you have to imagine the narration being read by David Attenborough. (Daredevil #262)
And that was how Daredevil beat up a vacuum cleaner. (Daredevil #262)
It’s actually pretty surprising that no one else thought to do anything with possessed hospital equipment, because that is TERRIFYING. (Daredevil #263)
Officer Drillbit, in all his glory. (Daredevil #265)
For 1989 Daredevil, this ending is positively chipper. (Daredevil #265)
NEXT EPISODE: So. Much. Wolverine.

As Mentioned in Episode 111 – You’ll Have to Look Inside for That

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Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
The greatest comic-book cover of all time. (Excalibur #4)
This guy, man. (Excalibur #4)
The fashion! The feelings! DAMN, I love Excalibur. (Excalibur #4)
SPOILER: This kiss does not actually happen. (Excalibur #4)
It’s awfully nice of Arcade to put those recaps up on the monitors! (Excalibur #4)
Courtney Ross: Just. That. Good. (Excalibur #4)
Excalibur is perpetually one tastefully-framed quick-change away from being a sex farce. (Excalibur #5)
Check out the visual language on the body-swapped Excalibur and Crazy Gang. (Excalibur #5)
Arcade vs. Murderworld. (Excalibur #5)
It’s our favorite fictional-but-also-real band, Cats Laughing! (Excalibur #5)
MURDERWORLD , Y’ALL. (Excalibur #5)
Yeah, Inferno’s basically just gonna be business as usual for Excalibur. (Excalibur #5)
I accept on faith that there are people who read this and assumed that Kitty and Rachel didn’t have a romantic relationship, but it still kind of baffles me. (Excalibur #5)
Bye, Courtney. (Excalibur #5)
Seriously, Excalibur has the greatest covers. (Excalibur #6)
“Oh, yeah, there IS another Summers kid that we kinda forgot about in all the chaos!” (Excalibur #6)
Yeah, I’m with Meggan on this one. (Excalibur #6)
This makes somewhat less sense if you remember that these two have in fact met before. (Excalibur #6)
Evil Meggan is a snappy dresser. (Excalibur #6)
And then that happened. (Excalibur #6)
THOSE COVERS THO (Excalibur #7)
Please take the Billy Idol joke as read. (Excalibur #7)
HEY LOOK IT’S JAY IN COLLEGE (Excalibur #7)
And now for something completely different! (Excalibur #7)
The fact that it’s Doug makes this scene both sadder and creepier. (Excalibur #7)
R.I.P., Best Gargoyle Ever. (Excalibur #7)
And you thought the Goblin Prince’s outfit was scandalous. (Excalibur #7)
Nazi Moira and Callisto: Evil, but fashionable. (Excalibur #6)
NEXT WEEK: Inferno Post-Game, with Sam Humphries!

As Mentioned in Episode 110 – Lights, Camera, Apocalypse!

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Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
We saw X-Men in the middle of a road trip the summer after our senior year of high school. Terrible vacation; fun movie.
X2: X-Men United is a very loose adaptation of one of our favorite X-Men stories: the Marvel Graphic Novel God Loves, Man Kills.
The less said about X-Men: The Last Stand, the better.
Jay can’t look at this X-Men: First Class poster without thinking of the Buckaroo Banzai end credits. It’s a blessing and a curse.
X-Men: Days of Future Past is one of the more ambitious retcons ever to grace the big screen.
X-Men: Apocalypse opens in the U.S. on May 27; and everywhere else at some point in the surrounding weeks.
Apocalypse’s on-panel debut… (X-Factor #5)
…and the first time we saw his signature costume. (X-Factor #6)
“Let’s adopt him and, I dunno, feed him scarab blood? Look, man, I’m making this up as I go along.” (Rise of Apocalypse #1)
Apocalypse’s true, diabolical plan, as realized in “The Twelve”: To capture a bunch of mutants and I guess put them in little terrariums? Apocalypse is a complicated guy. (Uncanny X-Men #377)
Apocalypse: Somehow actually more progressive than Doctor Who. (The Adventures of Cyclops and Phoenix #1)
The mechanics of Apocalypse’s body–and relative immortality–vary wildly from series to series. (The Adventures of Cyclops and Phoenix #2)
In the Age of Apocalypse, Apocalypse takes over Earth ahead of schedule and makes everything super glam. (X-Men: Alpha)
Deadpool may not be an X-Man, but his movie did feature the best version of the X-Men costumes to show up so far on screen.
NEXT WEEK: Excalibur joins Inferno!

LINKS & FURTHER READING

As Mentioned in Episode 109 – The Passion of Madelyne Pryor

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Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
It’s the whole gang! Kind of! And some of them are evil! BUT STILL! (Uncanny X-Men #242)
No, it’s not. (Uncanny X-Men #242)
SEE? (Uncanny X-Men #242)
Only one of many reasons that enthusiastic consent is important. (Uncanny X-Men #242)
Iceman is so underrated. Dude’s the heart and conscience of the original five. (Uncanny X-Men #242)
WELL, THEN. (Uncanny X-Men #242)
N’astirh may be evil, but he has impeccable taste in infernal vehicles. (Uncanny X-Men #242)
That’s the cold wind of metaphor, Alex. (Uncanny X-Men #242)
Madelyne Pryor knows from genre conventions. (Uncanny X-Men #242)
Aw, man. These two. (Uncanny X-Men #242)
Inferno’s a pretty dark crossover, but it has some really damn delightful moments. (Uncanny X-Men #242)
Love N’astirh’s face in that first panel. (Uncanny X-Men #242)
No one draws a possessed skyline like Silvestri. (Uncanny X-Men #242)
SUCKERS. You’ve still got three issues left! (Uncanny X-Men #242)
I’m genuinely curious as to whether this splash page started out as a cover design. (Uncanny X-Men #242)
“We’ll laugh about this later.” (X-Factor #38)
THAT SOUND EFFECT! (X-Factor #38)
Madelyne Pryor is the best at villain speeches. (X-Factor #38)
This panel is awesome, which is probably why there are going to be a lot of callbacks to it. (X-Factor #38)
This sequence is kind of a great encapsulation of a lot of Scott and Alex’s relationship. (X-Factor #38)
Jean’s rocky and reluctant alliance with the Phoenix force makes each of them a good deal more interesting. (X-Factor #38)
The most important relationship–and scenes–in Inferno are between Jean and Madelyne. I really wish we’d gotten more of the two of them together. (X-Factor #38)
“We’ll need to harness the power of all of our best sound effects!” (X-Factor #38)
Perfect panel is perfect. (X-Factor #38)
On one hand: this is all kind of Scott’s fault. On the other hand: it’s hard not to feel bad for him. (X-Factor #38)
Inferno: In which everyone is wrong and everyone is sympathetic. (X-Factor #38)
OH, YEAH! (Uncanny X-Men #243)
X-Factor will continue to play with this idea to some extent, but it’ll fade away pretty fast, and that’s a damn shame. (Uncanny X-Men #242)
Ditto, this. (Uncanny X-Men #242)
Jean, Madelyne, or Phoenix; her story at its best will always be about self-determination. (Uncanny X-Men #242)
Valid. (Uncanny X-Men #242)
Pawing through the X-Men’s stuff is one of the less invasive things Sinister has done in this arc, but there’s something extra creepy about it. (Uncanny X-Men #242)
Walter Simonson’s ability to make Longshot’s hair look good is the eight wonder of the world. (X-Factor #39)
Scott Summers’ Life Is An Actual Anxiety Dream, chapter infinity. (X-Factor #39)
Oh, hey, it’s the rest of Cyclops’s backstory! (X-Factor #39)
Does Nebraska even have a Department of Social Services? (X-Factor #39)
I just really love this page. (X-Factor #39)
This panel might have the highest appearance-to-reality-of-finality ratio in comics. (X-Factor #39)
And they all lived happily ever after. (X-Factor #39)
NEXT WEEK: Apocalypse for Beginners!

LINKS & FURTHER LISTENING

As Mentioned in Episode 108 – What Price Glory

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Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
Perfect cover is perfect. (Uncanny X-Men #239)
Hey, kids! Can you count the OSHA violations on this page? (Uncanny X-Men #239)
Does it get more Mr. Sinister than sitting on a giant crystal throne playing with X-Men action figures and expositing dramatically to himself? No. No, it does not. (Uncanny X-Men #239)
This moment is so good, and so chilling. (Uncanny X-Men #239)
Sometimes you eat the bar, and sometimes the bar eats you. (Uncanny X-Men #239)
ABORT ABORT BAD IDEA ABORT (Uncanny X-Men #239)
“Also, apparently they were really into Pinterest.” (Uncanny X-Men #239)
I am pretty sure I have seen this exact image on the front cover of at least one VHS tape. (Uncanny X-Men #239)
Here’s every panel of Madelyne’s black dress, in order. (Uncanny X-Men #240)
Hi, M-Squad. Bye, M-Squad. (Uncanny X-Men #240)
This whole scene is so exquisitely unsettling. (Uncanny X-Men #240)
Rogue, that is… quite an outfit. (Uncanny X-Men #240)
Meanwhile, in a completely different comic book. (Uncanny X-Men #240)
“Mr. Weatherbee didn’t really go into the details of this exchange program.” (Uncanny X-Men #240)
I don’t know why I find Scrambler so endlessly hilarious, but, GOD, I do. (Uncanny X-Men #240)
Silvestri doesn’t get to do nearly as much as Blevins or Simonson with possessed objects; but he’ll make up for it with the amazing demonic cityscapes in #242. (Uncanny X-Men #241)
Close Encounters with the Fourth Wall, Colossus Edition. (Nah, they’re clones. BUT STILL.) (Uncanny X-Men #241)
I swear this police-car demon is a reference to SOMETHING, but I can’t for the life of me remember what. (Uncanny X-Men #241)
“Fuck this. I’m gonna go hang out in New Mutants.” (Uncanny X-Men #241)
This cannot POSSIBLY end well. (Uncanny X-Men #241)
“Also, I liked that scene way more when Paul Smith drew it.” (Uncanny X-Men #240)
The Greys really never catch a break. (Uncanny X-Men #240)
Nebraska: Definitely the worst state. (Uncanny X-Men #240)
And you thought your family holidays were awkward. (Uncanny X-Men #241)
Oh, damn. (Uncanny X-Men #241)
There’s at least one alternate universe in which Mister Sinister founded the X-men; but the only detail I remember is that their costumes are WAY fancier. (Uncanny X-Men #241)
This detail makes Madelyne’s story infinitely sadder. (Uncanny X-Men #241)
In which Mister Sinister effectively seals the fate of the world. (Uncanny X-Men #241)
That’s. My. Girl. (Uncanny X-Men #241)
Oh, snap. (Uncanny X-Men #241)
And then a hot dog stand ate Calvin and Hobbes. (X-Factor #36)
Awwww. (X-Factor #36)
Cool scene; dumb hats. (X-Factor #36)
In a just world, every time you looked at this panel, heroic music would start playing. (X-Factor #36)
Let’s all just take a moment to admire the composition of this splash page. (X-Factor #37)
These panels were fine in context of the page, but then I cropped them, and now all I can think of is that one really unsettling video of a sloth petting a cat. (X-Factor #37)
“Okay, but that’s gonna be really awkward at the bank.” (X-Factor #37)
Wait, what? (X-Factor #37)
“Also, you literally just teleported.” (X-Factor #37)
NEXT WEEK: The Passion of Madelyne Pryor

LINKS & FURTHER READING:

As Mentioned in Episode 107 – Fairy Tale Ending

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Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
He’s not wrong; he’s just an asshole. (New Mutants #71)
Aw, kiddo. (New Mutants #71)
There’s a lot of more overtly awful stuff S’ym has done, but very little of it gets under my skin as badly as this scene. (New Mutants #71)
Brett Blevins’ Inferno might be the best Inferno. (New Mutants #71)
WELL, THAT ESCALATED QUICKLY. (New Mutants #71)
N’astirh Guy(TM) (New Mutants #71)
Nothing that begins with this line ever ends well. (New Mutants #71)
Okay. This looks bad. (New Mutants #71)
On its own, this is a perfectly serviceable cover; but it’s also a subtle and pretty brutal nod to the last issue of the Magik miniseries. (New Mutants #72)
Possibly the most metal title page to ever appear in an X-book. (New Mutants #72)
Calling it: Blevins’s is my hands-down favorite take on Inferno-infested New York. (New Mutants #72)
GAH. (New Mutants #72)
And now, a brief and delightful respite from the tragedy playing out in the A plot. (New Mutants #72)
Savor this moment: it’s not often you get to see New Mutants making a responsible choice! (New Mutants #72)
WELL, THEN. (New Mutants #72)
N’astirh levels up… (New Mutants #72)
…But so does Illyana. (New Mutants #72)
Death of Supergirl homage cover. Take a drink. (New Mutants #73)
T-O S’ym is so creepy, y’all. (New Mutants #73)
THERE ARE NOT ADEQUATE WORDS FOR HOW MUCH I LOVE THIS PAGE. (New Mutants #73)
That Colossus makes room in his rather minimal uniform for a photo wallet is kind of adorable an very much in character. (New Mutants #73)
“And that’s what you get for teaching new math!” (New Mutants #73)
We didn’t think of this until after the episode was recorded, but Illyana’s final armored form bears a lot of resemblance to her brother’s. (New Mutants #73)
This dude is pretty great. (New Mutants #73)
The Darkchilde in her final form. (New Mutants #73)
And so it ends… (New Mutants #73)
…or does it? (New Mutants #73)
“Or stick around in the background and then die of the Legacy Virus and come back like 20 years later without a soul. The point is, you’ve got options.” (New Mutants #73)
NEXT WEEK: The rise of the Goblin Queen.

LINKS AND FURTHER LISTENING:

As Mentioned in Episode 106 – The X-Terminators

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Art by David Wynne. Prints and cards available at the shop, or contact David to purchase the original.
Hi, Bill Gaines! (X-Terminators #1)
In which Bogdanove goes full Silver-Age romance-cover! (X-Terminators #1)
And so it was. (X-Terminators #1)
Wellp. (X-Terminators #1)
Can Bogdanove draw Boom Boom forever, please? (X-Terminators #1)
THIS KID IS AWESOME. (X-Terminators #1)
The cartoonishness of this series is really, really fun. (X-Terminators #1)
“Classic goblin behavior.” Did she learn about this in school? (X-Terminators #1)
JAIL BREAK TIME! (X-Terminators #1)
Boom Boom vs. vending machines. (X-Terminators #2)
I love the extent to which Hostess Fruit Pies became a running joke within actual Marvel comics. (X-Terminators #2)
So doomed. (X-Terminators #2)
This is probably a little too niche to describe as “every parent’s worst nightmare,” but I’m sure it hit home for someone. (X-Terminators #2)
#WINNING (X-Terminators #2)
Seriously, though–wouldn’t it be funnier if this were just a regular Viewmaster? (X-Terminators #2)
I can’t find the Ghostbusters production photo this is an homage to, but I swear it exists. (X-Terminators #3)
The living landscape of NYC quickly becomes legitimately terrifying, without ever quite losing its cartoonishness. (X-Terminators #3)
Incidental transitional panel, or hidden pitch for a whole new series? (X-Terminators #3)
Magic spells are ridiculous. (X-Terminators #3)
THOSE FACES. (X-Terminators #4)
You know that feeling when a crossover flies in from nowhere and whacks you in the back of the head? Yeah. (X-Terminators #4)
OKAY, THEN. (X-Terminators #4)
Wouldn’t that be multiplying it by 100? (X-Terminators #4)
Are… pigeons particularly notorious for meekly accepting destruction? Is that a thing? (X-Terminators #4)
And they all lived happily ever–HA, NO, JUST KIDDING. GO READ NEW MUTANTS. (X-Terminators #4)
NEXT WEEK: The fall of Magik.

LINKS & FURTHER LISTENING:

ECCC 2016 Round-Up!

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Listen to the live episode here.

Miles, Scott, and Jay performing the Hamilton cold open live at Phoenix Comics (video courtesy of Annie Bulloch):

ECCC Show Diaries:

ETA: If you absolutely can’t get enough of Hamilton and X-Men cross-references, here’s the time someone asked Jay to associate songs from the show with specific X-characters and they couldn’t stop.