Listen to the episode here.
It’s the whole gang! Kind of! And some of them are evil! BUT STILL! (Uncanny X-Men #242)
No, it’s not. (Uncanny X-Men #242)
SEE? (Uncanny X-Men #242)
Only one of many reasons that enthusiastic consent is important. (Uncanny X-Men #242)
Iceman is so underrated. Dude’s the heart and conscience of the original five. (Uncanny X-Men #242)
WELL, THEN. (Uncanny X-Men #242)
N’astirh may be evil, but he has impeccable taste in infernal vehicles. (Uncanny X-Men #242)
That’s the cold wind of metaphor, Alex. (Uncanny X-Men #242)
Madelyne Pryor knows from genre conventions. (Uncanny X-Men #242)
Aw, man. These two. (Uncanny X-Men #242)
Inferno’s a pretty dark crossover, but it has some really damn delightful moments. (Uncanny X-Men #242)
Love N’astirh’s face in that first panel. (Uncanny X-Men #242)
No one draws a possessed skyline like Silvestri. (Uncanny X-Men #242)
SUCKERS. You’ve still got three issues left! (Uncanny X-Men #242)
I’m genuinely curious as to whether this splash page started out as a cover design. (Uncanny X-Men #242)
“We’ll laugh about this later.” (X-Factor #38)
THAT SOUND EFFECT! (X-Factor #38)
Madelyne Pryor is the best at villain speeches. (X-Factor #38)
This panel is awesome, which is probably why there are going to be a lot of callbacks to it. (X-Factor #38)
This sequence is kind of a great encapsulation of a lot of Scott and Alex’s relationship. (X-Factor #38)
Jean’s rocky and reluctant alliance with the Phoenix force makes each of them a good deal more interesting. (X-Factor #38)
The most important relationship–and scenes–in Inferno are between Jean and Madelyne. I really wish we’d gotten more of the two of them together. (X-Factor #38)
“We’ll need to harness the power of all of our best sound effects!” (X-Factor #38)
Perfect panel is perfect. (X-Factor #38)
On one hand: this is all kind of Scott’s fault. On the other hand: it’s hard not to feel bad for him. (X-Factor #38)
Inferno: In which everyone is wrong and everyone is sympathetic. (X-Factor #38)
OH, YEAH! (Uncanny X-Men #243)
X-Factor will continue to play with this idea to some extent, but it’ll fade away pretty fast, and that’s a damn shame. (Uncanny X-Men #242)
Ditto, this. (Uncanny X-Men #242)
Jean, Madelyne, or Phoenix; her story at its best will always be about self-determination. (Uncanny X-Men #242)
Valid. (Uncanny X-Men #242)
Pawing through the X-Men’s stuff is one of the less invasive things Sinister has done in this arc, but there’s something extra creepy about it. (Uncanny X-Men #242)
Walter Simonson’s ability to make Longshot’s hair look good is the eight wonder of the world. (X-Factor #39)
Scott Summers’ Life Is An Actual Anxiety Dream, chapter infinity. (X-Factor #39)
Oh, hey, it’s the rest of Cyclops’s backstory! (X-Factor #39)
Does Nebraska even have a Department of Social Services? (X-Factor #39)
I just really love this page. (X-Factor #39)
This panel might have the highest appearance-to-reality-of-finality ratio in comics. (X-Factor #39)
And they all lived happily ever after. (X-Factor #39)
NEXT WEEK: Apocalypse for Beginners!
LINKS & FURTHER LISTENING
- For our Inferno coverage, we’re working (somewhat loosely) from the reading order mapped out at UncannyXMen.net.
- We’ll be bringing you up to speed on both the cinematic X-Men and Apocalypse’s comics background in episode 110, but if you want to brush up this week, you can do that here: