Listen to the episode here!
Oh, this guy. (X-Factor #2)
As a side effect of her return from near-death, Jean can perfectly recall any outfit–except her own. (X-Factor #2)
“But at least I know how to put on my goddamn pants.” (X-Factor #2)
Oh, Vera, what have they done to you? (X-Factor #2)
“Trust me, this is in no way an allegory for any other situations in your life.” (X-Factor #2)
Walls are the real victims in Layton’s run. (X-Factor #2)
Why do thugs ever fall for that line? Seriously. (X-Factor #2)
It’s okay, Scott. We’re only a few issues away from Louise Simonson. (X-Factor #2)
X-Factor vs. yet another wall. (X-Factor #2)
Dr. Maddicks: kind of awful. (X-Factor #2)
In addition to being kind of a crap scientist, Carl Maddicks is a terrible parent. (X-Factor #3)
I was seriously considering having this entire as-mentioned just be X-Factor knocking down walls. (X-Factor #3)
Jean recognize her team’s signature move. (X-Factor #3)
Aaaaand there goes another wall. (X-Factor #3)
Scott and Jean finally have a talk about–wait, no, just kidding, they’re about to get interrupted by urgent news. (X-Factor #3)
AMAZING, Hank. AMAZING. (X-Factor #3)
LOOK AT THIS GLORIOUS COVER. (X-Factor Annual #1)
Wellp. (X-Factor Annual #1)
Thank you for that highly relevant footnote, comic book. (X-Factor Annual #1)
Not sure if this is better or worse than the underwear. (X-Factor Annual #1)
Headcanon: Heinreich has worked out a whole backstory for this secretary, and he’s really disappointed that he didn’t get to use more of it. (X-Factor Annual #1)
Serious question: is this the only time Bobby’s clothing transforms to ice along with him? DISCUSS. LEAVE NO STONE UNTURNED. (X-Factor Annual #1)
How come some of these people are wearing robot underpants and others are not? (X-Factor Annual #1)
The Crimson Dynamo is not, in fact, the Red Scare. UNFORTUNATELY. (X-Factor Annual #1)
But seriously, the mix-up is pretty understandable.
Iceman vs. Iceman! (X-Factor Annual #1)
Oh, for the love of… (X-Factor Annual #1)
They’re fighting Tower and knocking down a wall at the same time! Two drinks! (X-Factor #4)
Joanna Cargill is so awesome. SO. AWESOME. (X-Factor #4)
At least he put on pants this time? I guess? (X-Factor #4)
X-Factor: actually kind of terrible. (X-Factor #4)
In case you happened to be wondering where the original art from this page is, the answer is our office. (Thank you, Tom!) (X-Factor #4)
Does no one ever use doors in this comic? (X-Factor #4)
Best outfit, best character, worst attempt at a cliffhanger. Also, I’m pretty sure one of us used to have a Mage: The Ascension character named Time Shadow. (X-Factor #4)
“It’s like we were briefly allowed to evolve as characters but have since reverted to a social dynamic we had long since outgrown.” (X-Factor #5)
True Fact: If one of you had submitted this outfit for the plainclothes cosplay contest, you would have won, no questions asked. (X-Factor #5)
And there goes another wall. (X-Factor #5)
Frenzy has no patience for your sub-par command of Yiddish. (X-Factor #5)
The less-than-inspiring debut of one of the X-Men’s greatest villains. (X-Factor #5)
Many thanks to Bobby Roberts for 57 spectacular episodes of production, advice, and boundless patience. You are the best, and we love you forever. (Art by David Wynne.)
Next week: MINISERIES MAYHEM!
My first guess about Vera’s appearance and behavior was that it was part of the long comics tradition of middle-aged creators trying and failing to depict youth culture, but Layton would only have been in his early 30s when these comics came out, and Guice was in his mid 20s.
I am curious about the logistics of Warren wearing a bathrobe. Does he cut wing holes in them, or does he get them specially tailored?
Just an FYI. Guice “rhymes with nice”.
In the back of an issue of the Micronauts, Butch Guice did a page where he talked to the readers and mentioned how to pronounce his name.
I know I’m waaay late on the commentary here…but having been a pre-teen during this era – my guess is that Vera’s appearance / depiction is meant to mock the growing “finding yourself” movement which was popular among young feminists and progressives in the late 1980s.