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Art by David Wynne. Wanna buy the original? Drop him a line!
That Wolverine shadow looming over the title has a serious Maurice Sendak vibe. (Wolverine and Gambit: Victims #1)
I know the whole point is for the shadow to be menacing, but how funny would it be if Wolverine were just freakin’ huge in this series, for no reason? (Wolverine and Gambit: Victims #1)
Don’t smoke in the Danger Room, Gambit. It’s not supposed to be THAT kind of danger! (Wolverine and Gambit: Victims #1)
This is a good version of Gambit; I will give the series and Sale that much. (Wolverine and Gambit: Victims #1)
I dunno; the exploding cards might make that difficult. (Wolverine and Gambit: Victims #1)
SEE WHAT I MEAN?! (Wolverine and Gambit: Victims #2)
Viper called; she wants to know what you did with her entire look. (Wolverine and Gambit: Victims #2)
YES, LOGAN, IT MATTERS VERY MUCH. (Wolverine and Gambit: Victims #2)
Well, then. (Wolverine and Gambit: Victims #2)
I’m pretty sure the subtext here is that Gambit’s gonna do a sex with that painting. (Wolverine and Gambit: Victims #3)
The end. (Wolverine and Gambit: Victims #3)
X-Men ’92 did it better. (Wolverine and Gambit: Victims #4)
Mastermind X-Plains the plot. (Wolverine and Gambit: Victims #4)
Dudes, man. (Wolverine and Gambit: Victims #4)
That’s certainly one take on Sarte. (Wolverine and Gambit: Victims #4)
NEXT EPISODE: Hawk Talk!
LINKS & FURTHER CRIMES:
Did they piss off their letterer or something? Because that 11th scan (with Gambit about to commit carnal acts with a picture) does suggest that the letterer was not happy about having to write in the little card outlines, because otherwise they’d have aligned the writing WITH the cards, not ignoring the cards angle which just looks sloppy.